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Today's Stichomancy for James Gandolfini

The first excerpt represents the past or something you must release, and is drawn from Agnes Grey by Anne Bronte:

hereafter.' So said I in my heart; and from that hour I only permitted my thoughts to wander to Edward Weston - or at least to dwell upon him now and then - as a treat for rare occasions: and, whether it was really the approach of summer or the effect of these good resolutions, or the lapse of time, or all together, tranquillity of mind was soon restored; and bodily health and vigour began likewise, slowly, but surely, to return.

Early in June, I received a letter from Lady Ashby, late Miss Murray. She had written to me twice or thrice before, from the different stages of her bridal tour, always in good spirits, and professing to be very happy. I wondered every time that she had


Agnes Grey
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phaedo by Plato:

always expressed in words--they are really generated out of one another, and there is a passing or process from one to the other of them?

Very true, he replied.

Well, and is there not an opposite of life, as sleep is the opposite of waking?

True, he said.

And what is it?

Death, he answered.

And these, if they are opposites, are generated the one from the other, and have there their two intermediate processes also?

Of course.

The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower:

The which was bore and to norrice Betake; and tho thei hield hem nyce, For thei withoute cause dradde. Thus if a king his herte ladde With every thing that he schal hiere, Fulofte he scholde change his chiere And upon fantasie drede, Whan that ther is no cause of drede. 3580 Orace to his Prince tolde, That him were levere that he wolde Upon knihthode Achillem suie


Confessio Amantis