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Today's Stichomancy for James Gandolfini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Robinson Crusoe by Daniel Defoe:

where I might keep about half-a-dozen young goats in each place; so that if any disaster happened to the flock in general, I might be able to raise them again with little trouble and time: and this though it would require a good deal of time and labour, I thought was the most rational design.

Accordingly, I spent some time to find out the most retired parts of the island; and I pitched upon one, which was as private, indeed, as my heart could wish: it was a little damp piece of ground in the middle of the hollow and thick woods, where, as is observed, I almost lost myself once before, endeavouring to come back that way from the eastern part of the island. Here I found a


Robinson Crusoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac:

"Take counsel with Camusot and Michu to hush up the affair as soon as possible, and your son will get the appointment. It will come in time enough to baffle du Ronceret's underhand dealings with the Blandureaus. Your son will be something better than assistant judge; he will have M. Camusot's post within the year. The public prosecutor will be here today. M. Sauvager will be obliged to resign, I expect, after his conduct in this affair. At the court my husband will show you documents which completely exonerate the Count and prove that the forgery was a trap of du Croisier's own setting."

Old Blondet went into the Olympic circus where his six thousand pelargoniums stood, and made his bow to the Duchess.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from American Notes by Rudyard Kipling:

down the grounds, while the little boys looked on. When they trotted, which was not seldom, they rose and sunk in their stirrups with a conscientiousness that cried out "Riding-school!" from afar.

Other young men in the park were riding after the English manner, in neatly cut riding-trousers and light saddles. Fate in derision had made each youth bedizen his animal with a checkered enam-elled leather brow-band visible half a mile away--a black-and-white checkered brow-band! They can't do it, any more than an Englishman, by taking cold, can add that indescribable nasal twang to his orchestra.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

'I'm sorry,' said Armour, as we sat down, 'I've got nothing but beer. If I had known you were all coming, no vintage that crawls up the hill would have been good enough for me.' He threw the bond of his wonderful smile round us as we swallowed his stuff, and our hearts were lightened. 'You fellows,' he went on nodding at the other two, 'might happen any day, but my friend John Philips comes to me across aerial spaces; he is a star I've trapped--you don't do that often. Pilsener, John Philips, or Black?' He was helping his only servant by pouring out the beer himself, and as I declared for Black he slapped me affectionately on the back and said my choice was good.