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Today's Stichomancy for James Gandolfini

The first excerpt represents the past or something you must release, and is drawn from The Call of the Wild by Jack London:

measured off, and as he neared the pile of firewood which marked the end of the hundred yards, a cheer began to grow and grow, which burst into a roar as he passed the firewood and halted at command. Every man was tearing himself loose, even Matthewson. Hats and mittens were flying in the air. Men were shaking hands, it did not matter with whom, and bubbling over in a general incoherent babel.

But Thornton fell on his knees beside Buck. Head was against head, and he was shaking him back and forth. Those who hurried up heard him cursing Buck, and he cursed him long and fervently, and softly and lovingly.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Deserted Woman by Honore de Balzac:

be absolved by death. Ah! take my life, unless indeed you do not fear to carry a remorse all through your own . . ."

It was his own letter, written to the Marquise as she set out for Geneva nine years before. At the foot of it Claire de Bourgogne had written, "Monsieur, you are free."

M. de Nueil went to his mother at Manerville. In less than three weeks he married Mlle. Stephanie de la Rodiere.

If this commonplace story of real life ended here, it would be to some extent a sort of mystification. The first man you meet can tell you a better. But the widespread fame of the catastrophe (for, unhappily, this is a true tale), and all the memories which it may arouse in

The third excerpt represents the future or something you must embrace, and is drawn from The Rig Veda:

Songs of the sage Medhyatithi.

4 O Soma Pavamana, find exceeding glorious wealth for us, Wealth, Indu, fraught with boundless might.

5 Like courser racing to the prize Indu, the lover of the Gods, Roars, as he passes, in the sieve.

6 Flow on thy way to win us strength, to speed the sage who praises thee: Soma, bestow heroic power.


The Rig Veda