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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle by Upton Sinclair:

and had nearly perished in a drift. All that they knew how to do was to hold the frozen fingers near the fire, and so little Stanislovas spent most of the day dancing about in horrible agony, till Jurgis flew into a passion of nervous rage and swore like a madman, declaring that he would kill him if he did not stop. All that day and night the family was half-crazed with fear that Ona and the boy had lost their places; and in the morning they set out earlier than ever, after the little fellow had been beaten with a stick by Jurgis. There could be no trifling in a case like this, it was a matter of life and death; little Stanislovas could not be expected to realize that he might a great deal better freeze in the snowdrift than lose

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

those fluxional images rigid, he rebelled. He warns Phillips moreover, that from first to last, 'he merely threw out as matter for speculation the vague impressions of his mind; for he gave nothing as the result of sufficient consideration, or as the settled conviction, or even probable conclusion at which he had arrived.'

The gist of this communication is that gravitating force acts in lines across space, and that the vibrations of light and radiant heat consist in the tremors of these lines of force. 'This notion,' he says, 'as far as it is admitted, will dispense with the ether, which, in another view is supposed to be the medium in which these vibrations take place.' And he adds further on, that his view

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

When the ensign of the world and of its leaders Had silent in the blessed beak become;

Because those living luminaries all, By far more luminous, did songs begin Lapsing and falling from my memory.

O gentle Love, that with a smile dost cloak thee, How ardent in those sparks didst thou appear, That had the breath alone of holy thoughts!

After the precious and pellucid crystals, With which begemmed the sixth light I beheld, Silence imposed on the angelic bells,


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sophist by Plato:

which are worthy of the name are not mere opinions or speculations, but stages or moments of thought which have a necessary place in the world of mind. They are no longer the last word of philosophy, for another and another has succeeded them, but they still live and are mighty; in the language of the Greek poet, 'There is a great God in them, and he grows not old.' (iv) This vast ideal system is supposed to be based upon experience. At each step it professes to carry with it the 'witness of eyes and ears' and of common sense, as well as the internal evidence of its own consistency; it has a place for every science, and affirms that no philosophy of a narrower type is capable of comprehending all true facts.

The Hegelian dialectic may be also described as a movement from the simple