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Today's Stichomancy for James Joyce

The first excerpt represents the past or something you must release, and is drawn from Philosophy 4 by Owen Wister:

poor students in Harvard College were not Oscars! I loved some of them as much as I loved Bertie and Billy. So there is no black eye about it. Pity Oscar, if you like; but don't be so mushy as to admire him as he stepped along in the night, holding his notes, full of his knowledge, thinking of Bertie and Billy, conscious of virtue, and smiling his smile. They were not conscious of any virtue, were Bertie and Billy, nor were they smiling. They were solemnly eating up together a box of handsome strawberries and sucking the juice from their reddened thumbs.

"Rather mean not to make him wait and have some of these after his hard work on us," said Bertie. "I'd forgotten about them--"

"He ran out before you could remember, anyway," said Billy.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moon-Face and Other Stories by Jack London:

technical terms, he would seem sometimes the veriest criminal, in speech, face, expression, everything; at other times the cultured and polished gentleman, and again, the philosopher and scientist. But there was something glimmering; there which I never caught--flashes of sincerity, of real feeling, I imagined, which were sped ere I could grasp; echoes of the man he once was, possibly, or hints of the man behind the mask. But the mask he never lifted, and the real man we never knew.

"But the sixty days with which you were rewarded for your journalism?" I asked. "Never mind Loria. Tell me."

"Well, if I must." He flung one knee over the other with a short laugh.

"In a town that shall be nameless," he began, "in fact, a city of fifty

The third excerpt represents the future or something you must embrace, and is drawn from Eugenie Grandet by Honore de Balzac:

and Felix Grandet of Saumur were well known there, and they enjoyed the esteem bestowed on financial celebrities whose wealth comes from immense and unencumbered territorial possessions. The arrival of the Saumur banker for the purpose, it was said, of honorably liquidating the affairs of Grandet of Paris, was enough to avert the shame of protested notes from the memory of the defunct merchant. The seals on the property were taken off in presence of the creditors, and the notary employed by Grandet went to work at once on the inventory of the assets. Soon after this, des Grassins called a meeting of the creditors, who unanimously elected him, conjointly with Francois Keller, the head of a rich banking-house and one of those principally

Eugenie Grandet