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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

and regular, they had a French turn (for M. Pelet was no Fleming, but a Frenchman both by birth and parentage), yet the degree of harshness inseparable from Gallic lineaments was, in his case, softened by a mild blue eye, and a melancholy, almost suffering, expression of countenance; his physiognomy was "fine et spirituelle." I use two French words because they define better than any English terms the species of intelligence with which his features were imbued. He was altogether an interesting and prepossessing personage. I wondered only at the utter absence of all the ordinary characteristics of his profession, and almost feared he could not be stern and resolute enough for a

The Professor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

and innocence. Yet she still nursed her secret sorrow, though she no longer mentioned it to My Dear. Scarce an hour passed that did not bring its recollection of Korak, and its poignant yearning to see him again.

Meriem spoke English fluently now, and read and wrote it as well. One day My Dear spoke jokingly to her in French and to her surprise Meriem replied in the same tongue--slowly, it is true, and haltingly; but none the less in excellent French, such, though, as a little child might use. Thereafter they spoke a little French each day, and My Dear often marveled that the girl learned this language with a facility that was at times

The Son of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of War by Sun Tzu:

alien) was not rewarded with an office in the State. How then did the Sun Tzu legend originate? It may be that the growing celebrity of the book imparted by degrees a kind of factitious renown to its author. It was felt to be only right and proper that one so well versed in the science of war should have solid achievements to his credit as well. Now the capture of Ying was undoubtedly the greatest feat of arms in Ho Lu's reign; it made a deep and lasting impression on all the surrounding states, and raised Wu to the short-lived zenith of her power. Hence, what more natural, as time went on, than that the acknowledged master of strategy, Sun Wu, should be popularly

The Art of War
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mountains by Stewart Edward White:

well-bred, well-dressed travelers. In contrast to their smartness, the brilliancy of new-painted stages, the dash of the horses maintained by the Yosemite Stage Company, our own dusty travel-worn outfit of mountain ponies, our own rough clothes patched and faded, our sheath-knives and firearms seemed out of place and curious, as though a knight in medieval armor were to ride down Broadway.

I do not know how many stages there were. We turned our pack-horses out for them all, dashing back and forth along the line, coercing the diabolical