|The first excerpt represents the past or something you must release, and is drawn from The Count of Monte Cristo by Alexandre Dumas:
causes you so much remorse."
"Monsieur," said the steward, "it is fatality, I am sure.
First, you purchase a house at Auteuil -- this house is the
one where I have committed an assassination; you descend to
the garden by the same staircase by which he descended; you
stop at the spot where he received the blow; and two paces
farther is the grave in which he had just buried his child.
This is not chance, for chance, in this case, is too much
"Well, amiable Corsican, let us suppose it is providence. I
always suppose anything people please, and, besides, you
The Count of Monte Cristo
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle:
"Nay," quoth Robin, the tears of merriment wet on his cheeks, "on second
thoughts I go no farther than here, for I have good friends hereabouts.
Thou mayst go forward if thou dost list, thou sweet pretty fellow, but thou
must go forward barefoot, for I am afraid that thy shoon must be left behind.
Off with them, friend, for I tell thee I have taken a great fancy to them."
At these words the corn factor grew pale as a linen napkin.
"Who art thou that talkest so?" said he.
Then merry Robin laughed again, and quoth he, "Men hereabouts
call me Robin Hood; so, sweet friend, thou hadst best do my
bidding and give me thy shoes, wherefore hasten, I prythee,
or else thou wilt not get to fair Newark Town till after dark."
The Merry Adventures of Robin Hood
|The third excerpt represents the future or something you must embrace, and is drawn from Tao Teh King by Lao-tze:
entrusted with it.
14. 1. We look at it, and we do not see it, and we name it 'the
Equable.' We listen to it, and we do not hear it, and we name it 'the
Inaudible.' We try to grasp it, and do not get hold of it, and we
name it 'the Subtle.' With these three qualities, it cannot be made
the subject of description; and hence we blend them together and
obtain The One.
2. Its upper part is not bright, and its lower part is not obscure.
Ceaseless in its action, it yet cannot be named, and then it again
returns and becomes nothing. This is called the Form of the Formless,
and the Semblance of the Invisible; this is called the Fleeting and