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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Tramp Abroad by Mark Twain:

of flour, and construct a bullet-proof dough. Work this into the form of a disk, with the edges turned up some three-fourths of an inch. Toughen and kiln-dry in a couple days in a mild but unvarying temperature. Construct a cover for this redoubt in the same way and of the same material. Fill with stewed dried apples; aggravate with cloves, lemon-peel, and slabs of citron; add two portions of New Orleans sugars, then solder on the lid and set in a safe place till it petrifies. Serve cold at breakfast and invite your enemy.

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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Henry VI by William Shakespeare:

And whereso'er he is he's surely dead.

[Clifford groans and dies.]

EDWARD. Whose soul is that which takes her heavy leave?

RICHARD. A deadly groan, like life and death's departing.

EDWARD. See who it is; and, now the battle's ended, If friend or foe, let him be gently us'd.

RICHARD. Revoke that doom of mercy, for 't is Clifford,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

perplexed, said----

"What can it be?"

Feeling sideways they encountered another tower-like pillar, square and uncompromising as the first; beyond it another and another. The place was all doors and pillars, some connected above by continuous architraves.

"A very Temple of the Winds," he said.

The next pillar was isolated; others composed a trilithon; others were prostrate, their flanks forming a causeway wide enough for a carriage and it was soon


Tess of the d'Urbervilles, A Pure Woman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from All's Well That Ends Well by William Shakespeare:

any stranger sense. Her matter was, she loved your son: Fortune, she said, was no goddess, that had put such difference betwixt their two estates; Love no god, that would not extend his might only where qualities were level; Diana no queen of virgins, that would suffer her poor knight surprise, without rescue in the first assault, or ransom afterward. This she delivered in the most bitter touch of sorrow that e'er I heard virgin exclaim in; which I held my duty speedily to acquaint you withal; sithence, in the loss that may happen, it concerns you something to know it.

COUNTESS.