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Today's Stichomancy for Jane Fonda

The first excerpt represents the past or something you must release, and is drawn from Heart of Darkness by Joseph Conrad:

or was it a fragment of a phrase from some newspaper article? He had been writing for the papers and meant to do so again, `for the furthering of my ideas. It's a duty.'

"His was an impenetrable darkness. I looked at him as you peer down at a man who is lying at the bottom of a precipice where the sun never shines. But I had not much time to give him, because I was helping the engine-driver to take to pieces the leaky cylinders, to straighten a bent connecting-rod, and in other such matters. I lived in an infernal mess of rust, filings, nuts, bolts, spanners, hammers, ratchet-drills--things I abominate, because I don't get on with them. I tended the little forge we fortunately had aboard;


Heart of Darkness
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Underdogs by Mariano Azuela:

"It's Pancracio," Quail cried joyfully. Relieved, he rested the butt of his rifle on the ground.

Pancracio appeared, holding a young man by the arms; the newcomer was covered with dust from his felt hat to his coarse shoes. A fresh bloodstain lay on his trousers close to the heel.

"Who's this tenderfoot?" Anastasio demanded.

"You know I'm on guard around here. Well, I hears a noise in the brush, see, and I shouts, 'Who goes there?' and then this lad answers, 'Carranza! Carranza!' I don't know anyone by that name, and so I says, 'Carranza,


The Underdogs
The third excerpt represents the future or something you must embrace, and is drawn from Pivot of Civilization by Margaret Sanger:

self-realization.

Sublimation of the sexual instinct cannot take place by denying it expression, nor by reducing it to the plane of the purely physiological. Sexual experience, to be of contributory value, must be integrated and assimilated. Asceticism defeats its own purpose because it develops the obsession of licentious and obscene thoughts, the victim alternating between temporary victory over ``sin'' and the remorse of defeat. But the seeker of purely physical pleasure, the libertine or the average sensualist, is no less a pathological case, living as one-sided and unbalanced a life as the ascetic, for his conduct is likewise based on ignorance and lack of understanding. In