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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Persuasion by Jane Austen:

their conversation began to flag, and so little was said at last, that she was expecting him to go every moment, but he did not; he seemed in no hurry to leave her; and presently with renewed spirit, with a little smile, a little glow, he said--

"I have hardly seen you since our day at Lyme. I am afraid you must have suffered from the shock, and the more from its not overpowering you at the time."

She assured him that she had not.

"It was a frightful hour," said he, "a frightful day!" and he passed his hand across his eyes, as if the remembrance were still too painful, but in a moment, half smiling again, added,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

high-pitched whimper. Immediately the dogs bounded forward, seized four of the pigs by the ear and dragged them, squealing with pain and terror, to Napoleon's feet. The pigs' ears were bleeding, the dogs had tasted blood, and for a few moments they appeared to go quite mad. To the amazement of everybody, three of them flung themselves upon Boxer. Boxer saw them coming and put out his great hoof, caught a dog in mid-air, and pinned him to the ground. The dog shrieked for mercy and the other two fled with their tails between their legs. Boxer looked at Napoleon to know whether he should crush the dog to death or let it go. Napoleon appeared to change countenance, and sharply ordered Boxer to let the dog go, whereat Boxer lifted his hoof, and the dog slunk away, bruised and howling.

Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Where There's A Will by Mary Roberts Rinehart:

walk being a sort of lover's lane, but they were generally of the quick-get-away variety. This was different. He just gathered her up to him and held her close, and if she was one-tenth as much thrilled as I was in the pantry she'd be ready to die kissing.

Then, without releasing her, he raised his head, with such a look of victory in his face that I still see it sometimes in my sleep, and his eye caught mine through the crack.

But if I'd looked to see him drop her I was mistaken. He drew her up and kissed her again, but this time on the forehead. And when he'd let her go and she had dropped into a chair and hid her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Marie by H. Rider Haggard:

because he was afraid of something--either that he might be placed upon his trial or of some ultimate catastrophe in which he would be involved. Marais probably had gone with him for the same reason that a bit of iron follows a magnet, because he never could resist the attraction of this evil man, his relative by birth. Or perhaps he had learned from him the story of his daughter's danger, upon which I had already acted, and really was anxious about her safety. For it must always be remembered that Marais loved Marie passionately, however ill the reader of this history may think that he behaved to her. She was his darling, the apple of his eye, and her great offence in his sight was that she cared for me more than she did for him. That is one of the reasons why