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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Phoenix and the Turtle by William Shakespeare:

That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go.

Here the anthem doth commence: Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence.

So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tom Sawyer Abroad by Mark Twain:

down the river, and the time we set the darky Jim free and Tom got shot in the leg. No, he wasn't. It only just p'isoned him for more. That was all the effect it had. You see, when we three came back up the river in glory, as you may say, from that long travel, and the village received us with a torchlight procession and speeches, and everybody hurrah'd and shouted, it made us heroes, and that was what Tom Sawyer had always been hankering to be.

For a while he WAS satisfied. Everybody made much of him, and he tilted up his nose and stepped

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vendetta by Honore de Balzac:

grace of her daughter seemed to have become her own. All was well with her if Ginevra was happy. Her hair was white, and a few strands only were seen above her white and wrinkled forehead, or beside her hollow cheeks.

"It is now fifteen days," she said, "since Ginevra made a practice of being late."

"Jean is so slow!" cried the impatient old man, buttoning up his blue coat and seizing his hat, which he dashed upon his head as he took his cane and departed.

"You will not get far," said his wife, calling after him.

As she spoke, the porte-cochere was opened and shut, and the old

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

burn the house, with the priest and the satellites of Baal.'

The fire caught readily. Out of an upper window Du Chayla and his men lowered themselves into the garden by means of knotted sheets; some escaped across the river under the bullets of the insurgents; but the archpriest himself fell, broke his thigh, and could only crawl into the hedge. What were his reflections as this second martyrdom drew near? A poor, brave, besotted, hateful man, who had done his duty resolutely according to his light both in the Cevennes and China. He found at least one telling word to say in his defence; for when the roof fell in and the upbursting flames discovered his retreat, and they came and dragged him to the public