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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from American Notes by Rudyard Kipling:

Item, a woman from cloud-land who has no history in the past or future, but is discreetly of the present, and strives for the confidences of male humanity on the grounds of "sympathy" (methinks this is not altogether a new type).

Item, a girl in a "dive," blessed with a Greek head and eyes, that seem to speak all that is best and sweetest in the world. But woe is me! She has no ideas in this world or the next beyond the consumption of beer (a commission on each bottle), and protests that she sings the songs allotted to her nightly without more than the vaguest notion of their meaning.

Sweet and comely are the maidens of Devonshire; delicate and of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

One thing surprised her as she gradually met some of her fellow passengers. She was not alone on her errand. Others there were on board, young and old women, an4 men, too who had felt the call of mercy and were going, as ignorant as she, to help. As ignorant, but not so friendless. Most of them were accredited somewhere. They had definite objectives. But what was more alarming - they talked in big figures. Great organizations were behind them. She heard of the rehabilitation of Belgium, and portable hospitals, and millions of dollars, and Red Cross trains.

Not once did Sara Lee hear of anything so humble as a soup kitchen. The war was a vast thing, they would observe. It could only be touched by

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

"We never use the key for that, sir. It has a trick lock that you can't open unless you know how."

"You said you went to the theatre yesterday evening. Did your master give you permission to go?"

"Yes, sir. It's about a year now that he gave me money for a theatre ticket every Saturday evening. He was very kind."

"Did you come into the house last night by the front door, or through the garden?"

"Through the garden, sir. I walked down the Promenade from the theatre."

"And you didn't notice anything - you saw no traces of footsteps?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The First Men In The Moon by H. G. Wells:

shone like molten silver under the receding day. I think I recognised the cloud-dimmed coast-lines of France and Spain and the south of England, and then, with a click, the shutter closed again, and I found myself in a state of extraordinary confusion sliding slowly over the smooth glass.

When at last things settled themselves in my mind again, it seemed quite beyond question that the moon was "down" and under my feet, and that the earth was somewhere away on the level of the horizon - the earth that had been "down" to me and my kindred since the beginning of things.

So slight were the exertions required of us, so easy did the practical annihilation of our weight make all we had to do, that the necessity for taking refreshment did not occur to us for nearly six hours (by Cavor's


The First Men In The Moon