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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchesse de Langeais by Honore de Balzac:

apprehensions gathered strength in the silence. She was forced, without aid from without, to face the thought of a hideous duel of which she could not speak. Her proud hard nature was more responsive to thrills of hate than it had ever been to the caresses of love. Ah! if the General could but have seen her, as she sat with her forehead drawn into folds between her brows; immersed in bitter thoughts in that boudoir where he had enjoyed such happy moments, he might perhaps have conceived high hopes. Of all human passions, is not pride alone incapable of engendering anything base? Mme de Langeais kept her thoughts to herself, but is it not permissible to suppose that M. de

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

grey quiet displays.

Well, I don't intend to write down here the tortuous financial history of Moggs' Limited, which was our first development of Moggs and Sons; nor will I tell very much of how from that we spread ourselves with a larger and larger conception throughout the chandlery and minor ironmongery, how we became agents for this little commodity, partners in that, got a tentacle round the neck of a specialised manufacturer or so, secured a pull upon this or that supply of raw material, and so prepared the way for our second flotation, Domestic Utilities; "Do it," they reordered it in the city. And then came the reconstruction of Tono-Bungay,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shakespeare's Sonnets by William Shakespeare:

What acceptable audit canst thou leave? Thy unused beauty must be tombed with thee, Which, used, lives th' executor to be.


Those hours, that with gentle work did frame The lovely gaze where every eye doth dwell, Will play the tyrants to the very same And that unfair which fairly doth excel; For never-resting time leads summer on To hideous winter, and confounds him there; Sap checked with frost, and lusty leaves quite gone,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

Which, knowing what Wressley of the Foreign Office was once, struck me as about the bitterest thing that I had ever heard a man say of his own work.


Not though you die to-night, O Sweet, and wail, A spectre at my door, Shall mortal Fear make Love immortal fail-- I shall but love you more, Who from Death's house returning, give me still One moment's comfort in my matchless ill.

Shadow Houses.