Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cromwell by William Shakespeare:

Let them that think so know they are deceived. Shall Cromwell live to have his faith misconstered? Antwerp, for all the wealth within thy Town, I will not stay here not two hours longer. As good luck serves, my accounts are all made even; Therefore I'll straight unto the treasurer. Bagot, I know you'll to the governour; Commend me to him, say I am bound to travail, To see the fruitful parts of Italy, And as you ever bore a Christian mind, Let Banister some favour of you find.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:

Socrates said: Yes, Crito, and they of whom you speak are right in so acting, for they think that they will be gainers by the delay; but I am right in not following their example, for I do not think that I should gain anything by drinking the poison a little later; I should only be ridiculous in my own eyes for sparing and saving a life which is already forfeit. Please then to do as I say, and not to refuse me.

Crito made a sign to the servant, who was standing by; and he went out, and having been absent for some time, returned with the jailer carrying the cup of poison. Socrates said: You, my good friend, who are experienced in these matters, shall give me directions how I am to proceed. The man answered: You have only to walk about until your legs are heavy, and then

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Two Brides by Honore de Balzac:

children. Here is the key to the whole mystery.

The woman herself might be a Greek statue, stepped down from some monument. Cold and white as marble, she moves sedately with a mother's pride. She is undeniably beautiful but heavy as a man-of-war. There is no breeding or distinction about her; nothing of the English lady. Probably she is a farmer's daughter from some wretched and remote country village, or, it may be, the eleventh child of some poor clergyman!

I reached home, after a miserable journey, during which all sorts of fiendish thoughts had me at their mercy, with hardly any life left in me. Was she married? Did he know her before our marriage? Had she been

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Purse by Honore de Balzac:

a thousand devices to put an end to it. By questioning the young man as to the material exercise of his art, and as to his studies, Adelaide and her mother emboldened him to talk. The indefinable nothings of their chat, animated by kind feeling, naturally led Hippolyte to flash forth remarks or reflections which showed the character of his habits and of his mind. Trouble had prematurely faded the old lady's face, formerly handsome, no doubt; nothing was left but the more prominent features, the outline, in a word, the skeleton of a countenance of which the whole effect indicated great shrewdness with much grace in the play of the eyes, in which could be discerned the expression