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Today's Stichomancy for Jane Seymour

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach:

1_Samuel 28: 14 And he said unto her: 'What form is he of?' And she said: 'An old man cometh up; and he is covered with a robe.' And Saul perceived that it was Samuel, and he bowed with his face to the ground, and prostrated himself.

1_Samuel 28: 15 And Samuel said to Saul: 'Why hast thou disquieted me, to bring me up?' And Saul answered: 'I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams; therefore I have called thee, that thou mayest make known unto me what I shall do.'

1_Samuel 28: 16 And Samuel said: `Wherefore then dost thou ask of me, seeing the LORD is departed from thee, and is become thine adversary?

1_Samuel 28: 17 And the LORD hath wrought for Himself; as He spoke by me; and the LORD hath rent the kingdom out of thy hand, and given it to thy neighbour, even to David.

1_Samuel 28: 18 Because thou didst not hearken to the voice of the LORD, and didst not execute His fierce wrath upon Amalek, therefore hath the LORD done this thing unto thee this day.

1_Samuel 28: 19 Moreover the LORD will deliver Israel also with thee into the hand of the Philistines; and to-morrow shalt thou and thy sons be with me; the LORD will deliver the host of Israel also into the hand of the Philistines.'

1_Samuel 28: 20 Then Saul fell straightway his full length upon the earth, and was sore afraid, because of the words of Samuel; and there was no strength in him; for he had eaten no bread all the day, nor all the night.


The Tanach
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chronicles of the Canongate by Walter Scott:

involved, to gratify himself and his auditors by allusions which found a responding chord in their own feelings, and to deal in the language, the sincere language, of panegyric, without intruding on the modesty of the great individual to whom he referred. But it was no longer possible, consistently with the respect to one's auditors, to use upon this subject terms either of mystification or of obscure or indirect allusion. The clouds have been dispelled; the DARKNESS VISIBLE has been cleared away; and the Great Unknown--the minstrel of our native land--the mighty magician who has rolled back the current of time, and conjured up before our living senses the men and the manners of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Allan Quatermain by H. Rider Haggard:

nurse never lived. Poor Alphonse! I hope he will always think of me as kindly as I think of him.

On the morrow I saw Curtis and Nyleptha with him, and he told me the whole history of what had happened since Umslopogaas and I galloped wildly away from the battle to save the life of the Queen. It seemed to me that he had managed the thing exceedingly well, and showed great ability as a general. Of course, however, our loss had been dreadfully heavy -- indeed, I am afraid to say how many perished in the desperate battle I have described, but I know that the slaughter has appreciably affected the male population of the country. He was very pleased to see me, dear


Allan Quatermain
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deserted Woman by Honore de Balzac:

sense of their power yet longer, knowing instinctively as they do that it must soon grow less. But, after all, these little boudoir protocols, less numerous than those of the Congress of London, are too small to be worth mention in the history of this passion.

For three years Mme. de Beauseant and M. de Nueil lived in the villa on the lake of Geneva. They lived quite alone, received no visitors, caused no talk, rose late, went out together upon the lake, knew, in short, the happiness of which we all of us dream. It was a simple little house, with green shutters, and broad balconies shaded with awnings, a house contrived of set purpose for lovers, with its white couches, soundless carpets, and fresh hangings, everything within it