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Today's Stichomancy for Jane Seymour

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Voice of the City by O. Henry:

stock and thermometer.

One day Alicia found a letter written to Robert by his mother. It was an unerudite letter, full of crops and motherly love and farm notes. It chronicled the health of the pig and the recent red calf, and asked concerning Robert's in return. It was a letter direct from the soil, straight from home, full of biographies of bees, tales of turnips, peaans of new-laid eggs, neg- lected parents and the slump in dried apples.

"Why have I not been shown your mother's let- ters?" asked Alicia. There was always something in


The Voice of the City
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

stopped. Henri was unarmed, he was forced to yield. He moved his head towards the handkerchief. The gesture of submission calmed Cristemio, and he bound his eyes with a respect and care which manifested a sort of veneration for the person of the man whom his idol loved. But, before taking this course, he had placed his dagger distrustfully in his side pocket, and buttoned himself up to the chin.

"That nigger would have killed me!" said De Marsay to himself.

Once more the carriage moved on rapidly. There was one resource still open to a young man who knew Paris as well as Henri. To know whither he was going, he had but to collect himself and count, by the number of gutters crossed, the streets leading from the boulevards by which


The Girl with the Golden Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Enemies of Books by William Blades:

This copy when perfect had been very fine and quite uncut. On one fine summer afternoon in 1874 it was brought to me by a tradesman living at Lamberhurst. Many of the leaves had been cut into squares, and the whole had been rescued from a tobacconist's shop, where the pieces were being used to wrap up tobacco and snuff. The owner wanted to buy a new silk gown for his wife, and was delighted with three guineas for this purpose. You will notice how cleverly the British Museum binder has joined the leaves, making it, although still imperfect, a fine book."

Referring to the carelessness exhibited by some custodians of Parish Registers,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Golden Threshold by Sarojini Naidu:

Performing thine inexorable rites.

For thy dark altars, balm nor milk nor rice, But mine own soul thou'st ta'en for sacrifice: All the rich honey of my youth's desire, And all the sweet oils from my crushed life drawn, And all my flower-like dreams and gem-like fire Of hopes up-leaping like the light of dawn.

I have no more to give, all that was mine Is laid, a wrested tribute, at thy shrine; Let me depart, for my whole soul is wrung, And all my cheerless orisons are sung;