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Today's Stichomancy for Jay Leno

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

he made his huge revolver spurt flame on flame.

I could not see the other men, but their uproarious mirth could have been heard half a mile away. When it dawned upon Herky, he was so furious that he spat at them like an angry cat and clicked his empty revolver.

Then Greaser lurched out of the door. I got a glimpse of him, and, for a wonder, was actually sorry for him. He looked as if he had been through a threshing-machine.

"Haw! haw! Ho! ho!" roared the merry lumbermen.

Then they trooped into the cabin. Buell headed the line, and Herky, sullenly reloading his revolver, came last. At first they groped around in the dim light, stumbling over everything. Part of the time they were in the


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

to be alone here ... as far as a man can be alone over whom hangs the shadow of a crime. He groaned aloud and hid his pale face in his hands.

In his own distress he did not hear the deep sigh - which, just above him on the edge of the knoll, broke from the breast of a woman who was suffering scarcely less than he; he did not know that two pair of sad eyes looked down upon him. And now into the eyes of the watching woman there shot a gleam of terror. For Herbert Thorne had taken a revolver from his pocket and laid it quietly beside him. Then he took out a notebook and a pencil and placed them beside the weapon. Then slowly, reluctantly, he opened one of the papers.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac:

by pins. Observe that the satiny lustre I am putting on the bosom gives it the plump suppleness of the flesh of a young girl. See how this tone of mingled reddish-brown and ochre warms up the cold grayness of that large shadow where the blood seemed to stagnate rather than flow. Young man, young man! what I am showing you now no other master in the world can teach you. Mabuse alone knew the secret of giving life to form. Mabuse had but one pupil, and I am he. I never took a pupil, and I am an old man now. You are intelligent enough to guess at what should follow from the little that I shall show you to-day."

While he was speaking, the extraordinary old man was giving touches

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

Glennard managed to set down his cup with a steady hand, but the room swung round with him and he dropped into the nearest chair. "As I do?" he repeated.

"I mean that very few people knew her when she lived in New York. To most of the women who went to the reading she was a mere name, too remote to have any personality. With me, of course, it was different--"

Glennard gave her a startled look. "Different? Why different?"

"Since you were her friend--"

"Her friend!" He stood up impatiently. "You speak as if she had had only one--the most famous woman of her day!" He moved vaguely