Today's Stichomancy for Jayne Mansfield

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from What is Man? by Mark Twain:

perilous zigzag; then suddenly the nickel-clad horse takes the bit in its mouth and goes slanting for the curbstone, defying all prayers and all your powers to change its mind--your heart stands still, your breath hangs fire, your legs forget to work, straight on you go, and there are but a couple of feet between you and the curb now. And now is the desperate moment, the last chance to save yourself; of course all your instructions fly out of your head, and you whirl your wheel AWAY from the curb instead of TOWARD it, and so you go sprawling on that granite-bound inhospitable shore. That was my luck; that was my experience. I dragged myself out from under the indestructible bicycle and sat

What is Man?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Poems by Robert Louis Stevenson:

Death, like a host, comes smiling to the door; Smiling, he greets us, on that tranquil shore Where neither piping bird nor peeping dawn Disturbs the eternal sleep, But in the stillness far withdrawn Our dreamless rest for evermore we keep.

For as from open windows forth we peep Upon the night-time star beset And with dews for ever wet; So from this garish life the spirit peers; And lo! as a sleeping city death outspread,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside. At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity. Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

agreeable Rattle of the Ladies' Club. Ha! ha! ha!

MARLOW. Zounds! there's no bearing this; it's worse than death!

MISS HARDCASTLE. In which of your characters, sir, will you give us leave to address you? As the faltering gentleman, with looks on the ground, that speaks just to be heard, and hates hypocrisy; or the loud confident creature, that keeps it up with Mrs. Mantrap, and old Miss Biddy Buckskin, till three in the morning? Ha! ha! ha!

MARLOW. O, curse on my noisy head. I never attempted to be impudent yet, that I was not taken down. I must be gone.

HARDCASTLE. By the hand of my body, but you shall not. I see it was all a mistake, and I am rejoiced to find it. You shall not, sir, I

She Stoops to Conquer