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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from What is Man? by Mark Twain:

women, dim and shimmery, like people under water. Under us the square was noiseless, but it was full of citizens; officials in fine uniforms were flitting about on errands, and in a doorstep sat a figure in the uttermost raggedness of poverty, the feet bare, the head bent humbly down; a youth of eighteen or twenty, he was, and through the field-glass one could see that he was tearing apart and munching riffraff that he had gathered somewhere. Blazing uniforms flashed by him, making a sparkling contrast with his drooping ruin of moldy rags, but he took not notice; he was not there to grieve for a nation's disaster; he had his own cares, and deeper. From two directions two long


What is Man?
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

was not more than a foot and a half from the ground, and it was filled with all sorts of weeds that flourished without sunshine. Still the little puppy cries were persistently wafted out from some remote corner, and, pulling off his jacket, Rudolph started to crawl in and investigate. It did not seem possible that he could make his way, for the place was not high enough for him even to crawl on his hands and knees, and he had rather to worm himself along on his elbows in quite indescribable fashion. Still, Tattine and Mabel were more than ready to have him try, and waited patiently, bending over with their hands upon their knees, and gazing in through the weed-grown hole in breathless, excited fashion.

"I believe I'll have to give it up," Rudolph called back; "the cries seem as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

one thing, which was the secession of their cook, Thomas Elliot - not on account of his professional skill, but for his facetious and curious manner. Elliot had something peculiar in his history, and was reported by his comrades to have seen better days. He was, however, happy with his situation on board of the floating light, and, having a taste for music, dancing, and acting plays, he contributed much to the amusement of the ship's company in their dreary abode during the winter months. He had also recommended himself to their notice as a good shipkeeper, for as it did not answer Elliot to go often ashore, he had always given up his turn of leave

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War of the Worlds by H. G. Wells:

CHAPTER NINE

WRECKAGE

And now comes the strangest thing in my story. Yet, perhaps, it is not altogether strange. I remember, clearly and coldly and vividly, all that I did that day until the time that I stood weeping and praising God upon the summit of Prim- rose Hill. And then I forget.

Of the next three days I know nothing. I have learned since that, so far from my being the first discoverer of the Martian overthrow, several such wanderers as myself had already discovered this on the previous night. One man--


War of the Worlds