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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Venus and Adonis by William Shakespeare:

Gives false alarms, suggesteth mutiny, And in a peaceful hour doth cry "Kill, kill!" 652 Distempering gentle Love in his desire, As air and water do abate the fire.

'This sour informer, this bate-breeding spy, This canker that eats up Love's tender spring, 656 This carry-tale, dissentious Jealousy, That sometime true news, sometime false doth bring, Knocks at my heart, and whispers in mine ear That if I love thee, I thy death should fear: 660

'And more than so, presenteth to mine eye

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Ideal Husband by Oscar Wilde:

to make a short speech stating that I believe there are possibilities in the scheme?

MRS. CHEVELEY. [Sitting down on the sofa.] Those are my terms.

SIR ROBERT CHILTERN. [In a low voice.] I will give you any sum of money you want.

MRS. CHEVELEY. Even you are not rich enough, Sir Robert, to buy back your past. No man is.

SIR ROBERT CHILTERN. I will not do what you ask me. I will not.

MRS. CHEVELEY. You have to. If you don't . . . [Rises from the sofa.]

SIR ROBERT CHILTERN. [Bewildered and unnerved.] Wait a moment!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Poems by Robert Louis Stevenson:

THE RELIC TAKEN, WHAT AVAILS THE SHRINE?

THE relic taken, what avails the shrine? The locket, pictureless? O heart of mine, Art thou not worse than that, Still warm, a vacant nest where love once sat?

Her image nestled closer at my heart Than cherished memories, healed every smart And warmed it more than wine Or the full summer sun in noon-day shine.

This was the little weather gleam that lit The cloudy promontories - the real charm was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The New Machiavelli by H. G. Wells:

and discover Margaret in the warm-lit, spacious hall with a partially opened packing-case, fatigued but happy, or go up to have tea with her out of the right tea things, "come at last," or be told to notice what was fresh there. It wasn't simply that I had never had a house before, but I had really never been, except in the most transitory way, in any house that was nearly so delightful as mine promised to be. Everything was fresh and bright, and softly and harmoniously toned. Downstairs we had a green dining-room with gleaming silver, dark oak, and English colour-prints; above was a large drawing-room that could be made still larger by throwing open folding doors, and it was all carefully done in greys and blues, for