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Today's Stichomancy for Jennifer Aniston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Under the Andes by Rex Stout:

perhaps I was mistaken when I imagined that it was there.

"Are you asleep?" she asked presently, after I had lain perfectly quiet for many minutes. Her voice was so low that it entered my ear as the faintest breath.

"Hardly," I answered. "To tell the truth, I expect never to sleep again--I suppose you understand me. I can't say why--I feel it."

Desiree nodded.

"Do you remember, Paul, what I said that evening on the mountain?" Then--I suppose my face must have betrayed my thought--she added quickly: "Oh, I didn't mean that--other thing.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Montezuma's Daughter by H. Rider Haggard:

drag him down to ruin? To-day I see the answer. Montezuma did not these things of himself, but because the hand of destiny worked with his hand, and the voice of destiny spoke in his voice. The gods of the Aztecs were false gods indeed, but I for one believe that they had life and intelligence, for those hideous shapes of stone were the habitations of devils, and the priests spoke truth when they said that the sacrifice of men was pleasing to their gods.

To these devils the king went for counsel through the priests, and now this doom was on them, that they must give false counsel to their own destruction, and to the destruction of those who

Montezuma's Daughter
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Sportsman by Xenophon:

feet of his hounds may not be blistered on the road.

[41] Lit. "anything which earth puts forth or bears upon her bosom."

[42] Or, "Many and many a cast back must he make."

[43] The famous stanzas in "Venus and Adonis" may fitly close this chapter.

And when thou hast on foot the purblind hare, Mark the poor wretch, to overshoot his troubles How he outruns the wind and with what care He cranks and crosses with a thousand doubles: The many musets through the which he goes Are like a labyrinth to amaze his foes.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

occasion, those who disliked the play and its author being hypnotised by the extraordinary power of Mr. Robert Farquharson's Herod, one of the finest pieces of acting ever seen in this country. My friends the dramatic critics (and many of them are personal friends) fell on Salome with all the vigour of their predecessors twelve years before. Unaware of what was taking place in Germany, they spoke of the play as having been 'dragged from obscurity.' The Official Receiver in Bankruptcy and myself were, however, better informed. And much pleasure has been derived from reading those criticisms, all carefully preserved along with the list of receipts which were simultaneously pouring in from the German performances.