| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato: master in the two styles of speaking; and that he can undertake, not one
side of the argument only, but both, when Protagoras begins to break down.
Against the authority of the poets with whom Protagoras has ingeniously
identified himself at the commencement of the Dialogue, Socrates sets up
the proverbial philosophers and those masters of brevity the
Lacedaemonians. The poets, the Laconizers, and Protagoras are satirized at
the same time.
Not having the whole of this poem before us, it is impossible for us to
answer certainly the question of Protagoras, how the two passages of
Simonides are to be reconciled. We can only follow the indications given
by Plato himself. But it seems likely that the reconcilement offered by
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Love Songs by Sara Teasdale: Dumb in a storm of mirth;
Until my heart is quenched at length
And I have left the land of men,
Oh, let me love with all my strength
Careless if I am loved again.
Spring Night
The park is filled with night and fog,
The veils are drawn about the world,
The drowsy lights along the paths
Are dim and pearled.
Gold and gleaming the empty streets,
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Off on a Comet by Jules Verne: That point was reached on the 3rd of March, and thence the coast
was continuously followed, as it led through what had been Tunis,
across the province of Constantine, away to the oasis of Ziban;
where, taking a sharp turn, it first reached a latitude of 32 degrees,
and then returned again, thus forming a sort of irregular gulf,
enclosed by the same unvarying border of mineral concrete.
This colossal boundary then stretched away for nearly 150 leagues
over the Sahara desert, and, extending to the south of Gourbi Island,
occupied what, if Morocco had still existed, would have been
its natural frontier.
Adapting her course to these deviations of the coastline, the _Dobryna_
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucolics by Virgil: Reposing, under some dark ilex now
Chews the pale herbage, or some heifer tracks
Amid the crowding herd. Now close, ye Nymphs,
Ye Nymphs of Dicte, close the forest-glades,
If haply there may chance upon mine eyes
The white bull's wandering foot-prints: him belike
Following the herd, or by green pasture lured,
Some kine may guide to the Gortynian stalls.
Then sings he of the maid so wonder-struck
With the apples of the Hesperids, and then
With moss-bound, bitter bark rings round the forms
|