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Today's Stichomancy for Jennifer Connelly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad:

front door, and a moment afterwards there would fall a profound silence. Presently she would re- appear, leading by the hand a man, gross and un- wieldy like a hippopotamus, with a bad-tempered, surly face.

He was a widowed boat-builder, whom blindness had overtaken years before in the full flush of busi- ness. He behaved to his daughter as if she had been responsible for its incurable character. He had been heard to bellow at the top of his voice, as if to defy Heaven, that he did not care: he had


To-morrow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

of what was found on Cadby's body."

Inspector Weymouth nodded affirmatively, and Smith glanced at his watch.

"Exactly ten-twenty-three," he said. "I will trouble you, Inspector, for the freedom of your fancy wardrobe. There is time to spend an hour in the company of Shen-Yan's opium friends."

Weymouth raised his eyebrows.

"It might be risky. What about an official visit?"

Nayland Smith laughed.

"Worse than useless! By your own showing, the place is open to inspection. No; guile against guile! We are dealing with a Chinaman, with the incarnate essence of Eastern subtlety, with the most stupendous genius that the modern


The Insidious Dr. Fu-Manchu
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from American Notes by Rudyard Kipling:

stenography or typewriting. I have heard many tales of heroism from the lips of girls who counted the principals among their friends. The crash came, Mamie, or Hattie, or Sadie, gave up their maid, their carriages and candy, and with a No. 2 Remington and a stout heart set about earning their daily bread.

"And did I drop her from the list of my friends? No, sir," said a scarlet-lipped vision in white lace; "that might happen to us any day."

It may be this sense of possible disaster in the air that makes San Francisco society go with so captivating a rush and whirl. Recklessness is in the air. I can't explain where it comes from,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Jane Eyre by Charlotte Bronte:

excitement distressed me. The gale still rising, seemed to my ear to muffle a mournful under-sound; whether in the house or abroad I could not at first tell, but it recurred, doubtful yet doleful at every lull; at last I made out it must be some dog howling at a distance. I was glad when it ceased. On sleeping, I continued in dreams the idea of a dark and gusty night. I continued also the wish to be with you, and experienced a strange, regretful consciousness of some barrier dividing us. During all my first sleep, I was following the windings of an unknown road; total obscurity environed me; rain pelted me; I was burdened with the charge of a little child: a very small creature, too young and


Jane Eyre