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Today's Stichomancy for Jennifer Garner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber:

flowed out from this main stream. The wrong bundle into the wrong conveyer? Confusion in the shipping room. It only took a glance of the eye and a motion of the arms. But that glance and that motion had been boiled down to the very concentrated essence of economy. They seemed to be working with fury, but then, so does a pile-driver until you get the simplicity of it.

Fanny bent over the girl (it was a noisy corner) and put a question. The girl did not pause in her work as she answered it. She caught a bundle with one hand, hurled one into a conveyer with the other.


Fanny Herself
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Phoenix and the Turtle by William Shakespeare:

To this troop come thou not near.

From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king: Keep the obsequy so strict.

Let the priest in surplice white, That defunctive music can, Be the death-defying swan, Lest the requiem lack his right.

And thou, treble-dated crow, That thy sable gender mak'st

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Prufrock/Other Observations by T. S. Eliot:

As the soul leaves the body torn and bruised As the mind deserts the body it has used. I should find Some way incomparably light and deft, Some way we both should understand, Simple and faithless as a smile and shake of the hand.

She turned away, but with the autumn weather Compelled my imagination many days, Many days and many hours: Her hair over her arms and her arms full of flowers. And I wonder how they should have been together!


Prufrock/Other Observations
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Princess by Alfred Tennyson:

Life.' And again sighing she spoke: 'A dream That once was mind! what woman taught you this?'

'Alone,' I said, 'from earlier than I know, Immersed in rich foreshadowings of the world, I loved the woman: he, that doth not, lives A drowning life, besotted in sweet self, Or pines in sad experience worse than death, Or keeps his winged affections clipt with crime: Yet was there one through whom I loved her, one Not learnèd, save in gracious household ways,