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Today's Stichomancy for Jennifer Garner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

actions of others, saw plainly that his genial host was concealing some excitement. When the latter had gone out the Councillor looked after him, shaking his head. Then his glance fell by chance on the quiet-looking man who had risen at his entrance and had not sat down again.

"Please sit down," he said in a friendly tone, but the other did not move. His grey eyes gazed intently at the man whose fate he was to change so horribly.

Kniepp grew uneasy under the stare. "What is there that interests you so about me?" he asked in a tone that was an attempt at a joke.

"The ring, the ring on your watch chain," murmured Muller.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chronicles of the Canongate by Walter Scott:

knees before the young man, seized on his hand, and kissing it an hundred times, repeated as often, in heart-breaking accents, the most earnest entreaties for forgiveness. "Pardon," she exclaimed, "pardon, for the sake of your father's ashes--pardon, for the sake of the pain with which I bore thee, the care with which I nurtured thee!--Hear it, Heaven, and behold it, Earth-- the mother asks pardon of her child, and she is refused!"

It was in vain that Hamish endeavoured to stem this tide of passion, by assuring his mother, with the most solemn asseverations, that he forgave entirely the fatal deceit which she had practised upon him.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

together, so glad with each other. . . . Oh! Husband mine, believe me! believe me! I'm stupid, I'm cold, I'm only beginning to realise how stupid and cold, but all I want in all the world is to give my life to you." . . .


"We can't part in a room," said Isabel.

"We'll have one last talk together," I said, and planned that we should meet for a half a day between Dover and Walmer and talk ourselves out. I still recall that day very well, recall even the curious exaltation of grief that made our mental atmosphere distinctive and memorable. We had seen so much of one another, had

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

them into a dark corner, where he halted.

"Be careful," said he warningly. "The well is at your feet."

"All right," replied Ojo, and kneeling down he felt in the well with his hand and found that it contained a quantity of water. "Where's the gold flask, Dorothy?" he asked, and the little girl handed him the flask, which she had brought with her.

Ojo knelt again and by feeling carefully in the dark managed to fill the flask with the

The Patchwork Girl of Oz