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Today's Stichomancy for Jerry Lewis

The first excerpt represents the past or something you must release, and is drawn from The Iron Puddler by James J. Davis:

I told her that I was already rewarded, for I had guarded her jewels in order to protect myself from being suspected of their theft and so kangarooed into a slave-camp.

But in spite of all my precautions, I landed there after all. The gang down at the flop house was dazzled by an employment agent, who offered to ship them out into the rice country to work on the levee for a dollar a day and cakes. The men were wild for a square meal and the feel of a dollar in their jeans. So they all shipped out to the river levee and I went along with the gang.

As our train rattled over the trestles and through the cypress

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

she was disturbing me, she said to me: 'Thank you,' and walked away.

"But in a short time she became more familiar, and accompanied me every day, her countenance exhibiting visible pleasure. She carried her folding stool under her arm; would not consent to my carrying it, and she sat always by my side. She would remain there for hours immovable and mute, following with her eye the point of my brush in its every movement. When I would obtain, by a large splatch of color spread on with a knife, a striking and unexpected effect, she would, in spite of herself, give vent to a half-suppressed 'Oh!' of astonishment, of joy, of admiration. She

The third excerpt represents the future or something you must embrace, and is drawn from The Death of the Lion by Henry James:

These pages overflow with the testimony we want: let us read them and taste them and interpret them. You'll of course have perceived for yourself that one scarcely does read Neil Paraday till one reads him aloud; he gives out to the ear an extraordinary full tone, and it's only when you expose it confidently to that test that you really get near his style. Take up your book again and let me listen, while you pay it out, to that wonderful fifteenth chapter. If you feel you can't do it justice, compose yourself to attention while I produce for you - I think I can! - this scarcely less admirable ninth."

Mr. Morrow gave me a straight look which was as hard as a blow