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Today's Stichomancy for Jerry Seinfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To the Lighthouse by Virginia Woolf:

for she did not understand the fun of shooting birds; and they did not feel; and being his mother she lived away in another division of the world, but he rather liked her stories about Mary and Joseph. She made him laugh. But how did she know that those were Mary and Joseph? Did she think the same birds came to the same trees every night? he asked. But here, suddenly, like all grown-up people, she ceased to pay him the least attention. She was listening to a clatter in the hall.

"They've come back!" she exclaimed, and at once she felt much more annoyed with them than relieved. Then she wondered, had it happened? She would go down and they would tell her--but no. They could not tell her anything, with all these people about. So she must go down and


To the Lighthouse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

and a broken pitch-pipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather's History of Witchcraft, a New England Almanac, and book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted in several fruitless attempts to make a copy of verses in honor of the heiress of Van Tassel. These magic books and the poetic scrawl were forthwith consigned to the flames by Hans Van Ripper; who, from that time forward, determined to send his children no more to school; observing that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received


The Legend of Sleepy Hollow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

those of Rome the wolf and the eagle, and those of various savage tribes some chosen totem animal. But this lone refuge was now stripped from us, and we were forced to face definitely the reason-shaking realization which the reader of these pages has doubtless long ago anticipated. I can scarcely bear to write it down in black and white even now, but perhaps that will not be necessary. The things once rearing and dwelling in this frightful masonry in the age of dinosaurs were not indeed dinosaurs, but far worse. Mere dinosaurs were new and almost brainless objects - but the builders of the city were wise and old, and had left certain traces


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Two Poets by Honore de Balzac:

child," and Lamartine, and Sir Walter Scott, and Byron. The noble creature regarded her love as a stimulating power; the desire which she had kindled in Lucien should give him the energy to win glory for himself. This feminine Quixotry is a sentiment which hallows love and turns it to worthy uses; it exalts and reverences love. Mme. de Bargeton having made up her mind to play the part of Dulcinea in Lucien's life for seven or eight years to come, desired, like many other provincials, to give herself as the reward of prolonged service, a trial of constancy which should give her time to judge her lover.

Lucien began the strife by a piece of vehement petulence, at which a woman laughs so long as she is heart-free, and saddens only when she