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Today's Stichomancy for Jessica Biel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

exception of De Profundis, were met with almost general condemnation and ridicule. The plays on their first production were grudgingly praised because their obvious success could not be ignored; but on their subsequent publication in book form they were violently assailed. That nearly all of them have held the stage is still a source of irritation among certain journalists. Salome however enjoys a singular career. As every one knows, it was prohibited by the Censor when in rehearsal by Madame Bernhardt at the Palace Theatre in 1892. On its publication in 1893 it was greeted with greater abuse than any other of Wilde's works, and was consigned to the usual irrevocable oblivion. The accuracy of the French was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Prince of Bohemia by Honore de Balzac:

but one love in his lifetime, but that love is a deep and shoreless sea. It may break in upon him at any time, as the grace of God found St. Paul; and a man may live sixty years and never know love. Perhaps, to quote Heine's superb phrase, it is 'the secret malady of the heart' --a sense of the Infinite that there is within us, together with the revelation of the ideal Beauty in its visible form. This love, in short, comprehends both the creature and creation. But so long as there is no question of this great poetical conception, the loves that cannot last can only be taken lightly, as if they were in a manner snatches of song compared with Love the epic.

"To Charles Edward the adventure brought neither the thunderbolt

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

her when she ran back in fear from the sudden reaching out of its waves? Thus far....? But there were times when it disobeyed--when it rushed further, shaking the world! Was it because God was then asleep--could not hear, did not see, until too late?

And the tumultuous ocean terrified her more and more: it filled her sleep with enormous nightmare;--it came upon her in dreams, mountain-shadowing,--holding her with its spell, smothering her power of outcry, heaping itself to the stars.

Carmen became alarmed;--she feared that the nervous and delicate child might die in one of those moaning dreams out of which she

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James:

give us a grain of succour - our density was a thing too perfect in its way to touch. He had formed the habit of depending on it, and if the spell was to break it must break by some force of its own. He comes back to me from that last occasion - for I was never to speak to him again - as a man with some safe preserve for sport. I wondered as I walked away where he had got HIS tip.


WHEN I spoke to George Corvick of the caution I had received he made me feel that any doubt of his delicacy would be almost an insult. He had instantly told Gwendolen, but Gwendolen's ardent response was in itself a pledge of discretion. The question would