| The first excerpt represents the past or something you must release, and is drawn from On Horsemanship by Xenophon: ground.[11] The correct plan for the man so dragged is to press his
horse forward: by which action the man who is being dragged is more
likely to unhorse his assailant than to be brought to the ground
himself.
[9] {ippota}. A poetic word; "cavaliers."
[10] Or, "manipulated."
[11] Or, "that may be spoken off as the 'purl trick'"; "it will
unhorse him if anything."
If it ever happens that you have an enemy's camp in front, and cavalry
skirmishing is the order of the day (at one time charging the enemy
right up to the hostile battle-line, and again beating a retreat),
On Horsemanship |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Poems by T. S. Eliot: Dreaming of both.
Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
|
The third excerpt represents the future or something you must embrace, and is drawn from The Count of Monte Cristo by Alexandre Dumas: Count of Monte Cristo having abated, I take upon myself to
declare that it is as strong as ever. His first astounding
act upon coming amongst us was to present a pair of horses,
worth 32,000 francs, to Madame Danglars; his second, the
almost miraculous preservation of Madame de Villefort's
life; now it seems that he has carried off the prize awarded
by the Jockey Club. I therefore maintain, in spite of
Morcerf, that not only is the count the object of interest
at this present moment, but also that he will continue to be
so for a month longer if he pleases to exhibit an
eccentricity of conduct which, after all, may be his
The Count of Monte Cristo |
