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Today's Stichomancy for Jessica Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

ipsum quidem sperare nostros exercitus capi posse. Qui suum timorem in rei frumentariae simulationem angustiasque itineris conferrent, facere arroganter, cum aut de officio imperatoris desperare aut praescribere viderentur. Haec sibi esse curae; frumentum Sequanos, Leucos, Lingones subministrare, iamque esse in agris frumenta matura; de itinere ipsos brevi tempore iudicaturos. Quod non fore dicto audientes neque signa laturi dicantur, nihil se ea re commoveri: scire enim, quibuscumque exercitus dicto audiens non fuerit, aut male re gesta fortunam defuisse aut aliquo facinore comperto avaritiam esse convictam. Suam innocentiam perpetua vita, felicitatem Helvetiorum bello esse perspectam. Itaque se quod in longiorem diem conlaturus fuisset repraesentaturum et proxima

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

landing leather, down which he had clambered until he could grasp the hook at its end. This he fastened to a ring in the warrior's harness, just before the man's weakened fingers slipped from their hold upon the cordage.

Temporarily, at least, he had saved the life of his subject,

and now he turned his attention toward insuring his own safety. Inextricably entangled in the mess to which he was clinging were numerous other landing hooks such as he had attached to the warrior's harness, and with one of these he sought to secure himself until the storm should abate sufficiently to permit him to climb to the deck, but even as he reached for one that swung


The Chessmen of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bucolics by Virgil:

Daphnis, 'twas thou bad'st yoke to Bacchus' car Armenian tigresses, lead on the pomp Of revellers, and with tender foliage wreathe The bending spear-wands. As to trees the vine Is crown of glory, as to vines the grape, Bulls to the herd, to fruitful fields the corn, So the one glory of thine own art thou. When the Fates took thee hence, then Pales' self, And even Apollo, left the country lone. Where the plump barley-grain so oft we sowed, There but wild oats and barren darnel spring;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moran of the Lady Letty by Frank Norris:

with memories of athletic triumphs yet in their minds--carried into that ball-room, borne high upon their shoulders.

And the hero of the occasion, the centre of all this enthusiasm-- thus carried as if in triumph into this assembly in evening dress, in white tulle and whiter kid, odorous of delicate sachets and scarce-perceptible perfumes--was a figure unhandsome and unkempt beyond description. His hair was long, and hanging over his eyes. A thick, uncared-for beard concealed the mouth and chin. He was dressed in a Chinaman's blouse and jeans--the latter thrust into slashed and tattered boots. The tan and weatherbeatings of nearly half a year of the tropics were spread over his face; a partly