| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: sakes, is the Holy Land of the early unvulgarized Renascence;
France, for its builders' sakes, of the age of Christian chivalry
and faith; and Greece, for its sculptors' sakes, of the Periclean
age.
These Holy Lands are my fatherlands: in them alone am I truly at
home: all my work is but to bring the whole world under this
sanctification.
And so, O worthy, respectable, dutiful, patriotic, brave,
industrious German reader, you who used to fear only God and your
own conscience, and now fear nothing at all, here is my book for
you; and--in all sincerity--much good may it do you!
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the Sleeper Wakes by H. G. Wells: he saw the slender figure of the Wind-Vane
keeper's crow's nest shining golden in the sunlight and
growing smaller every moment. As his eye fell with
more confidence now, there came a blue line of hills,
and then London, already to leeward, an intricate
space of roofing. Its near edge came sharp and clear,
and banished his last apprehensions in a shock of surprise.
For the boundary of London was like a wall,
like a cliff, a steep fall of three or four hundred feet, a
frontage broken only by terraces here and there, a
complex decorative facade.
 When the Sleeper Wakes |