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Today's Stichomancy for Jet Li

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

through a good friend. I could not withhold it, as there has been much discussion about the translating of the Old and New Testaments. It has been charged by the despisers of truth that the text has been modified and even falsified in many places, which has shocked and startled many simple Christians, even among the educated who do not know any Hebrew or Greek. It is devoutly hoped that with this publication the slander of the godless will be stopped and the scruples of the devout removed, at least in part. It may even give rise to more writing on such matters and questions such as these. So I ask all friends of the Truth to seriously take this work to heart and faithfully pray to God for a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales of the Klondyke by Jack London:

measure.

Sigmund shook his head. "You can't make me mad, Hitchcock, nor do mad things because of your madness. It's a cold business proposition and a question of facts. I didn't come to this country for my health, and, further, it's impossible for us to raise a hand. If it is so, it is too bad for the girl, that's all. It's a way of her people, and it just happens we're on the spot this one time. They've done the same for a thousand-thousand years, and they're going to do it now, and they'll go on doing it for all time to come. Besides, they're not our kind. Nor's the girl. No, I take my stand with Wertz and Hawes, and--"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dunwich Horror by H. P. Lovecraft:

or trousers on. Wilbur was never subsequently seen alive and conscious without complete and tightly buttoned attire, the disarrangement or threatened disarrangement of which always seemed to fill him with anger and alarm. His contrast with his squalid mother and grandfather in this respect was thought very notable until the horror of 1928 suggested the most valid of reasons. The next January gossips were mildly interested in the fact that 'Lavinny's black brat' had commenced to talk, and at the age of only eleven months. His speech was somewhat remarkable both because of its difference from the ordinary accents of the region, and because


The Dunwich Horror
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vailima Letters by Robert Louis Stevenson:

believe, from sunstroke. It was a royal present for 'the chief of the great powers.' I should say the gifts were, on the proper signal, dragged out of the field of food by a troop of young men, all with their lava-lavas kilted almost into a loin-cloth. The art is to swoop on the food-field, pick up with unerring swiftness the right things and quantities, swoop forth again on the open, and separate, leaving the gifts in a new pile: so you may see a covey of birds in a corn-field. This reminds me of a very inhumane but beautiful passage I had forgotten in its place. The gift-giving was still in full swing, when there came a troop