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Today's Stichomancy for Jim Carrey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Baltimore by Owen Wister:

of his own desires, through performance of duties which had fallen upon him not quite fairly, that the eye of his spirit had been turned away from self; thus had it grown strong-sighted and able to look far and deep, as his speech sometimes revealed, while still his flesh was of his youthful age, and no saint's flesh either. This had the ladies taught me during the fluttered interchange of their reminders and opinions, and by their eager agreements and disagreements, I was also grateful to them in that I could once more correct Juno. The pleasure should be mine to tell them in the public hearing of our table that Miss Rieppe was still engaged to John Mayrant.

But what was this interesting girl coming to see for herself?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

and those children warm their feet, this once, upon a kindlier earth; if only there were no cold anywhere, and no nakedness, and no hunger; if only it were as well with all men as it is with him!

For it is not altogether ill with the invalid, after all. If it is only rarely that anything penetrates vividly into his numbed spirit, yet, when anything does, it brings with it a joy that is all the more poignant for its very rarity. There is something pathetic in these occasional returns of a glad activity of heart. In his lowest hours he will be stirred and awakened by many such; and they will spring perhaps from very

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rescue by Joseph Conrad:

despair."

As if afraid of the force of his words d'Alcacer laid a soothing hand lightly on Lingard's shoulder. But Lingard continued to look into the embers at his feet and remained insensible to the friendly touch. Yet d'Alcacer could not imagine that he had not been heard. He folded his arms on his breast.

"I don't know why I have been telling you all this," he said, apologetically. "I hope I have not been intruding on your thoughts."

"I can think of nothing," Lingard declared, unexpectedly. "I only know that your voice was friendly; and for the rest--"


The Rescue
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gambara by Honore de Balzac:

forth to the tournament, in which the /motifs/ of the second act reappear to make it clear that the third act has all taken place in a supernatural sphere. This is real life again. This chorus dies away at the approach of the hellish enchantment brought by Robert with the talisman. The deviltry of the third act is to be carried on. Here we have the duet with the viol; the rhythm is highly expressive of the brutal desires of a man who is omnipotent, and the Princess, by plaintive phrases, tries to win her lover back to moderation. The musician has here placed himself in a situation of great difficulty, and has surmounted it in the loveliest number of the whole opera. How charming is the melody of the /cavatina 'Grace pour toi!'/ All the


Gambara