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Today's Stichomancy for Jim Carrey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells:

Hoopdriver pulls at his skimpy moustache. "No--Don't want them too late, sir, of course."

"How about this day week?"

Hoopdriver becomes rigidly meditative, gripping the corners of the gingham folds in his hands. His face is eloquent of conflicting considerations. Can he learn it in a week? That's the question. Otherwise Briggs will get next week, and he will have to wait until September--when the weather is often uncertain. He is naturally of a sanguine disposition. All drapers have to be, or else they could never have the faith they show in the beauty, washability, and unfading excellence of the goods they sell you.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Angler by Izaak Walton:

better than the strong lines that are now in fashion in this critical age. Look yonder! on my word, yonder, they both be a-milking again. I will give her the Chub, and persuade them to sing those two songs to us.

God speed you, good woman! I have been a-fishing; and am going to Bleak Hall to my bed; and having caught more fish than will sup myself and my friend, I will bestow this upon you and your daughter, for I use to sell none.

Milk-woman. Marry! God requite you, Sir, and we'll eat it cheerfully. And if you come this way a-fishing two months hence, a grace of God! I'll give you a syllabub of new verjuice, in a new-made hay-cock, for it. And my Maudlin shall sing you one of her best ballads; for she and I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lesson of the Master by Henry James:

but they've taken away at the same time the power to use them. I've touched a thousand things, but which one of them have I turned into gold? The artist has to do only with that - he knows nothing of any baser metal. I've led the life of the world, with my wife and my progeny; the clumsy conventional expensive materialised vulgarised brutalised life of London. We've got everything handsome, even a carriage - we're perfect Philistines and prosperous hospitable eminent people. But, my dear fellow, don't try to stultify yourself and pretend you don't know what we HAVEN'T got. It's bigger than all the rest. Between artists - come!" the Master wound up. "You know as well as you sit there that you'd put

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Misalliance by George Bernard Shaw:

fail at literature if it would pay me to turn my hand to it.

BENTLEY. Hear, hear!

MRS TARLETON. Fancy you writing a book, Johnny! Do you think he could, Lord Summerhays?

LORD SUMMERHAYS. Why not? As a matter of fact all the really prosperous authors I have met since my return to England have been very like him.

TARLETON. _[again impressed]_ Thats an idea. Thats a new idea. I believe I ought to have made Johnny an author. Ive never said so before for fear of hurting his feelings, because, after all, the lad cant help it; but Ive never thought Johnny worth tuppence as a man of