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Today's Stichomancy for Jim Henson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Buttered Side Down by Edna Ferber:

Orient, and Eddie promised, laughing, too, but with a far-off, eager look in his eyes.

When the time came for him to go there was quite a little bodyguard of us ready to escort him down to the depot. We picked up two or three more outside O'Rourke's pool room, and a couple more from the benches outside the hotel. Eddie walked ahead with his mother. I have said that Mrs. Houghton was a sensible woman. She was never more so than now. Any other mother would have gone into hysterics and begged the recruiting officer to let her boy off. But she knew better. Still, I think Eddie felt some uncomfortable pangs when he looked at her set face. On the way to


Buttered Side Down
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Modest Proposal by Jonathan Swift:

which time they can however be properly looked upon only as probationers: As I have been informed by a principal gentleman in the county of Cavan, who protested to me, that he never knew above one or two instances under the age of six, even in a part of the kingdom so renowned for the quickest proficiency in that art.

I am assured by our merchants, that a boy or a girl before twelve years old, is no saleable commodity, and even when they come to this age, they will not yield above three pounds, or three pounds and half a crown at most, on the exchange; which cannot turn to account either to the parents or kingdom, the charge of


A Modest Proposal
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

end a woman appears, who has just lost her husband; and I suppose the pair console each other, for the finale seemed of happy omen. Of some of the songs my informant told me briefly they were 'like about the WEEMEN'; this I could have guessed myself. Each side (I should have said) was strengthened by one or two women. They were all soloists, did not very often join in the performance, but stood disengaged at the back part of the stage, and looked (in RIDI, necklace, and dressed hair) for all the world like European ballet- dancers. When the song was anyway broad these ladies came particularly to the front; and it was singular to see that, after each entry, the PREMIERE DANSEUSE pretended to be overcome by

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

"A new figurehead!" he scolded in unquenchable indignation. "Why! I've been a widower now for eight-and-twenty years come next May and I would just as soon think of getting a new wife. You're as bad as that fellow Jacobus."

I was highly amused.

"What has Jacobus done? Did he want you to marry again, Captain?" I inquired in a deferential tone. But he was launched now and only grinned fiercely.

"Procure - indeed! He's the sort of chap to procure you anything you like for a price. I hadn't been moored here for an hour when he got on board and at once offered to sell me a figurehead he


'Twixt Land & Sea