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Today's Stichomancy for Jim Henson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Antonia by Willa Cather:

Grandfather's eyes were not at all like those of an old man; they were bright blue, and had a fresh, frosty sparkle. His teeth were white and regular--so sound that he had never been to a dentist in his life. He had a delicate skin, easily roughened by sun and wind. When he was a young man his hair and beard were red; his eyebrows were still coppery.

As we sat at the table, Otto Fuchs and I kept stealing covert glances at each other. Grandmother had told me while she was getting supper that he was an Austrian who came to this country a young boy and had led an adventurous life in the Far West among mining-camps and cow outfits. His iron constitution was somewhat broken by mountain pneumonia,


My Antonia
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

of love I held my peace when I might have plead ignorance of the nature of my offense, or at least the gravity of it, and so have effected, at worst, a half conciliation.

My duty dictated that I must see that she was comfortable, and so I glanced into her chariot and rearranged her silks and furs. In doing so I noted with horror that she was heavily chained by one ankle to the side of the vehicle.

"What does this mean?" I cried, turning to Sola.

"Sarkoja thought it best," she answered, her face betokening her disapproval of the procedure.

Examining the manacles I saw that they fastened with a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tristram Shandy by Laurence Sterne:

Leave we Slop likewise to the full profits of all my dishonours.--

Leave we poor Le Fever to recover, and get home from Marseilles as he can.- -And last of all,--because the hardest of all--

Let us leave, if possible, myself:--But 'tis impossible,--I must go along with you to the end of the work.

Chapter 3.LXIV.

If the reader has not a clear conception of the rood and the half of ground which lay at the bottom of my uncle Toby's kitchen-garden, and which was the scene of so many of his delicious hours,--the fault is not in me,--but in his imagination;--for I am sure I gave him so minute a description, I was almost ashamed of it.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

had a fairer chance in the meeting; but he could see nothing, and then because he could see nothing the end of his scabbard struck the stone side of the runway, giving off a sound that the stillness and the narrow confines of the passage and the darkness seemed to magnify to a terrific clatter.

Instantly the shuffling sound of approach ceased. For a moment Gahan stood in silent waiting, then casting aside discretion he moved on again down the spiral. The thing, whatever it might be, gave forth no sound now by which Gahan might locate it. At any moment it might be upon him and so he kept his sword in readiness. Down, ever downward the steep spiral led. The darkness


The Chessmen of Mars