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Today's Stichomancy for Jim Henson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gulliver's Travels by Jonathan Swift:

though the horses did not, because of my shoes and stockings; the same in every part of our bodies except as to hairiness and colour, which I have already described.

The great difficulty that seemed to stick with the two horses, was to see the rest of my body so very different from that of a YAHOO, for which I was obliged to my clothes, whereof they had no conception. The sorrel nag offered me a root, which he held (after their manner, as we shall describe in its proper place) between his hoof and pastern; I took it in my hand, and, having smelt it, returned it to him again as civilly as I could. He brought out of the YAHOOS' kennel a piece of ass's flesh; but it

Gulliver's Travels
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

I was born in the year 18-- to a large fortune, endowed besides with excellent parts, inclined by nature to industry, fond of the respect of the wise and good among my fellowmen, and thus, as might have been supposed, with every guarantee of an honourable and distinguished future. And indeed the worst of my faults was a certain impatient gaiety of disposition, such as has made the happiness of many, but such as I found it hard to reconcile with my imperious desire to carry my head high, and wear a more than commonly grave countenance before the public. Hence it came about that I concealed my pleasures; and that when I reached years of reflection, and began to look round me and take stock of my

The Strange Case of Dr. Jekyll and Mr. Hyde
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

of her voice:

"If you want coffee it's there, you know."

The company left the table and crowded toward the dining room without noticing Nana's indignant outburst. And soon no one was left in the drawing room save Bordenave, who advanced cautiously, supporting himself against the wall and cursing away at the confounded women who chucked Papa the moment they were chock-full. The waiters behind him were already busy removing the plates and dishes in obedience to the loudly voiced orders of the manager. They rushed to and fro, jostled one another, caused the whole table to vanish, as a pantomime property might at the sound of the chief

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vailima Letters by Robert Louis Stevenson:

Samoan, recently promoted from the bush work, and a most good, anxious, timid lad of 15 or 16 - looks like 17 or 18, of course - they grow fast here. In comes Mitaiele to Lloyd, and told some rigmarole about Paatalise (the steward's name) wanting to go and see his family in the bush. - 'But he has no family in the bush,' said Lloyd. 'No,' said Mitaiele. They went to the boy's bed (they sleep in the walled-in compartment of the verandah, once my dressing-room) and called at once for me. He lay like one asleep, talking in drowsy tones but without excitement, and at times 'cheeping' like a frightened mouse; he was quite cool to the touch, and