Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jim Morrison

The first excerpt represents the past or something you must release, and is drawn from The Muse of the Department by Honore de Balzac:

she had worn for twelve years? Whence this weariness which, every day, increased her hope of finding herself a widow?

The reader who has noted all the phases of her existence will have understood the various illusions by which Dinah, like many another woman, had been deceived. After an attempt to master Monsieur de la Baudraye, she had indulged the hope of becoming a mother. Between those miserable disputes over household matters and the melancholy conviction as to her fate, quite a long time had elapsed. Then, when she had looked for consolation, the consoler, Monsieur de Chargeboeuf had left her. Thus, the overwhelming temptation which commonly causes women to sin had hitherto been absent. For if there are, after all,


The Muse of the Department
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Menexenus by Plato:

hack' of Alexandria and Athens, the Gods did not grant originality or genius. Further, in attempting to balance the evidence for and against a Platonic dialogue, we must not forget that the form of the Platonic writing was common to several of his contemporaries. Aeschines, Euclid, Phaedo, Antisthenes, and in the next generation Aristotle, are all said to have composed dialogues; and mistakes of names are very likely to have occurred. Greek literature in the third century before Christ was almost as voluminous as our own, and without the safeguards of regular publication, or printing, or binding, or even of distinct titles. An unknown writing was naturally attributed to a known writer whose works bore the same character; and the name once appended easily obtained authority. A

The third excerpt represents the future or something you must embrace, and is drawn from The Art of Writing by Robert Louis Stevenson:

smitten with an equal regret for what he once was and for what he once hoped to be.

He was feeling all this dimly, as he drove from the station, on his last visit; he was feeling it still as he alighted at the door of his friend Mr. Johnstone Thomson, W.S., with whom he was to stay. A hearty welcome, a face not altogether changed, a few words that sounded of old days, a laugh provoked and shared, a glimpse in passing of the snowy cloth and bright decanters and the Piranesis on the dining-room wall, brought him to his bed-room with a somewhat lightened cheer, and when he and Mr. Thomson sat down a few minutes