The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams & Dust by Don Marquis: Struck three or four good blows . . . and then
Turned back to easier things:
The cheap applause, the blatant mob,
The praise of underlings!
Praise . . . praise . . . was ever man so filled,
So avid still, of praise?
So hungry for the crowd's acclaim,
The sycophantic phrase?
O you whom Greatness beckoned to . . .
O swollen Littleness
Who turned from Immortality
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Talisman by Walter Scott: coronet, only that it was higher in front than behind, which,
with the purple velvet and embroidered tiara that lined it,
formed then the emblem of England's sovereignty. Beside it, as
if prompt for defending the regal symbol, lay a mighty curtal-
axe, which would have wearied the arm of any other than Coeur de
Lion.
In an outer partition of the pavilion waited two or three
officers of the royal household, depressed, anxious for their
master's health, and not less so for their own safety, in case of
his decease. Their gloomy apprehensions spread themselves to the
warders without, who paced about in downcast and silent
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott: continued, "that it is the unhappy, though most unexpected,
result of an experiment of my own. You must know that, for my
father and grandfather's time, at least, the apartment which was
assigned to you last night had been shut on account of reports
that it was disturbed by supernatural sights and noises. When I
came, a few weeks since, into possession of the estate, I thought
the accommodation which the castle afforded for my friends was
not extensive enough to permit the inhabitants of the invisible
world to retain possession of a comfortable sleeping apartment.
I therefore caused the Tapestried Chamber, as we call it, to be
opened, and, without destroying its air of antiquity, I had such
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Crito by Plato: as formerly, I will proceed to the next step.
CRITO: You may proceed, for I have not changed my mind.
SOCRATES: Then I will go on to the next point, which may be put in the
form of a question:--Ought a man to do what he admits to be right, or ought
he to betray the right?
CRITO: He ought to do what he thinks right.
SOCRATES: But if this is true, what is the application? In leaving the
prison against the will of the Athenians, do I wrong any? or rather do I
not wrong those whom I ought least to wrong? Do I not desert the
principles which were acknowledged by us to be just--what do you say?
CRITO: I cannot tell, Socrates, for I do not know.
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