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Today's Stichomancy for Jim Morrison

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Contrast by Royall Tyler:

Yes, your honour. [Going.

DIMPLE

Jessamy, who are these strange lodgers that came to the house last night?

JESSAMY

Why, the master is a Yankee colonel; I have not seen much of him; but the man is the most unpol- ished animal your honour ever disgraced your eyes by looking upon. I have had one of the most outre con- versations with him!--He really has a most prodig- ious effect upon my risibility.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gift of the Magi by O. Henry:

and receive gifts, such as they are wisest. Everywhere they

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

CONCEPTION OF A PAST DURING WHICH THERE HAVE BEEN SUCCESSIVE EVOLUTIONS ANALOGOUS TO THAT WHICH IS NOW GOING ON; A FUTURE DURING WHICH SUCCESSIVE OTHER EVOLUTIONS MAY GO ON--EVER THE SAME IN PRINCIPLE BUT NEVER THE SAME IN CONCRETE RESULT."

That is it--the most we know--alternate eras of evolution and dissolution. In the past there have been other evolutions similar to that one in which we live, and in the future there may be other similar evolutions--that is all. The principle of all these evolutions remains, but the concrete results are never twice alike. Man was not; he was; and again he will not be. In eternity which is beyond our comprehension, the particular

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Elixir of Life by Honore de Balzac:

Lucar, a marvelous building erected by the Moors, a mosque of Allah, which for three centuries had heard the name of Christ, could not hold the throng that poured in to see the ceremony. Hidalgos in their velvet mantles, with their good swords at their sides, swarmed like ants, and were so tightly packed in among the pillars that they had not room to bend the knees, which never bent save to God. Charming peasant girls, in the basquina that defines the luxuriant outlines of their figures, lent an arm to white-haired old men. Young men, with eyes of fire, walked beside aged crones in holiday array. Then came couples tremulous with joy, young lovers led thither by curiosity, newly-wedded folk;