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Today's Stichomancy for Jim Morrison

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

'Yes, I am rather,' said Nikita, and they went across the yard and the passage into the house.


The household to which Vasili Andreevich had come was one of the richest in the village. The family had five allotments, besides renting other land. They had six horses, three cows, two calves, and some twenty sheep. There were twenty-two members belonging to the homestead: four married sons, six grandchildren (one of whom, Petrushka, was married), two great-grandchildren, three orphans, and four daughters-in-law with their babies. It was one of the few homesteads that

Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Othello by William Shakespeare:

Des. Oh, my feare interprets. What is he dead? Oth. Had all his haires bin liues, my great Reuenge Had stomacke for them all

Des. Alas, he is betray'd, and I vndone

Oth. Out Strumpet: weep'st thou for him to my face? Des. O banish me, my Lord, but kill me not

Oth. Downe Strumpet

Des. Kill me to morrow, let me liue to night

Oth. Nay, if you striue

Des. But halfe an houre

Oth. Being done, there is no pawse

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from I Have A Dream by Martin Luther King, Jr.:

today, have come to realize that their destiny is tied up with our destiny and their freedom is inextricably bound to our freedom. We cannot walk alone.

And as we walk, we must make the pledge that we shall march ahead. We cannot turn back. There are those who are asking the devotees of civil rights, "When will you be satisfied?" We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the Negro's basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as a Negro in Mississippi

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

get-up. The statesman of Sambir was clad in a costume befitting his high rank. A loudly checkered sarong encircled his waist, and from its many folds peeped out the silver hilt of the kriss that saw the light only on great festivals or during official receptions. Over the left shoulder and across the otherwise unclad breast of the aged diplomatist glistened a patent leather belt bearing a brass plate with the arms of Netherlands under the inscription, "Sultan of Sambir." Babalatchi's head was covered by a red turban, whose fringed ends falling over the left cheek and shoulder gave to his aged face a ludicrous expression of joyous recklessness. When the canoe was at last fastened to his

Almayer's Folly