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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the past or something you must release, and is drawn from Romeo and Juliet by William Shakespeare:

Heele fright you vp yfaith. Will it not be? What drest, and in your clothes, and downe againe? I must needs wake you: Lady, Lady, Lady? Alas, alas, helpe, helpe, my Ladyes dead, Oh weladay, that euer I was borne, Some Aqua-vitæ ho, my Lord, my Lady? Mo. What noise is heere? Enter Mother.

Nur. O lamentable day

Mo. What is the matter? Nur. Looke, looke, oh heauie day


Romeo and Juliet
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Common Sense by Thomas Paine:

the pretensions of both, and equally to reject the usurpation of either.

In the following sheets, the author hath studiously avoided every thing which is personal among ourselves. Compliments as well as censure to individuals make no part thereof. The wise, and the worthy, need not the triumph of a pamphlet; and those whose sentiments are injudicious, or unfriendly, will cease of themselves unless too much pains are bestowed upon their conversion.

The cause of America is in a great measure the cause of all mankind. Many circumstances hath, and will arise, which are not local, but universal, and through which the principles of all Lovers of Mankind are affected, and in the Event of which, their Affections are interested.


Common Sense
The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

as to damage their wind or stringed instruments, generally took them to the Rue Froid-Manteau, to a squalid and horrible house, where, on the fifth floor, dwelt an old Italian named Gambara.

For five years past he had been left to himself, deserted by his wife; he had gone through many misfortunes. An instrument on which he had relied to make his fortune, and which he called a /Panharmonicon/, had been sold by order of the Court on the public square, Place du Chatelet, together with a cartload of music paper scrawled with notes. The day after the sale, these scores had served in the market to wrap up butter, fish, and fruit.

Thus the three grand operas of which the poor man would boast, but


Gambara