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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Roads of Destiny by O. Henry:

relieving lightness of a few water-colour sketches of fruit and flower.

The reception chamber was fitted in a simple but elegant style. Its arrangement suggested nothing of the fact that on the morrow the room would again be cleared and abandoned to the dust and the spider. The entrance hall was imposing with palms and ferns and the light of an immense candelabrum.

At seven o'clock Grandemont, in evening dress, with pearls--a family passion--in his spotless linen, emerged from somewhere. The invitations had specified eight as the dining hour. He drew an armchair upon the porch, and sat there, smoking cigarettes and half

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Euthydemus by Plato:

was a time when the human mind was only with great difficulty disentangled from such fallacies.

To appreciate fully the drift of the Euthydemus, we should imagine a mental state in which not individuals only, but whole schools during more than one generation, were animated by the desire to exclude the conception of rest, and therefore the very word 'this' (Theaet.) from language; in which the ideas of space, time, matter, motion, were proved to be contradictory and imaginary; in which the nature of qualitative change was a puzzle, and even differences of degree, when applied to abstract notions, were not understood; in which there was no analysis of grammar, and mere puns or plays of words received serious attention; in which contradiction itself

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

scientific book; and yet one cannot help at moments envying the old Greek imagination, which could inform the soulless sea-world with a human life and beauty. For, after all, star-fishes and sea- anemones are dull substitutes for Sirens and Tritons; the lamps of the sea-nymphs, those glorious phosphorescent medusae whose beauty Mr. Gosse sets forth so well with pen and pencil, are not as attractive as the sea-nymphs themselves would be; and who would not, like Menelaus, take the grey old man of the sea himself asleep upon the rocks, rather than one of his seal-herd, probably too with the same result as the world-famous combat in the Antiquary, between Hector and Phoca? And yet - is there no human interest in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Inn by Honore de Balzac:

with his elbow.

"Where's your difficulty?" asked a duke whose fortune is derived from the estates of stubborn Protestants, confiscated on the revocation of the Edict of Nantes.

The lawyer rose, and said:--

"In law, the case submitted to us presents no difficulty. Monsieur le duc is right!" cried the legal organ. "There are time limitations. Where should we all be if we had to search into the origin of fortunes? This is simply an affair of conscience. If you must absolutely carry the case before some tribunal, go to that of the confessional."