.
Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jimi Hendrix

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

The girl had on a neat and trim summer dress, patterned in broad stripes of pink and white, and her bonnet was equipped with a pink veil. She was practicing steps, gaits and attitudes, apparently; she was doing the thing gracefully, and was very much absorbed in her work. Who could she be, and how came she to be in young Tom Driscoll's room?

Wilson had quickly chosen a position from which he could watch the girl without running much risk of being seen by her, and he remained there hoping she would raise her veil and betray her face. But she disappointed him. After a matter of twenty minutes she disappeared and although he stayed at his post half an hour longer, she came no more.

Toward noon he dropped in at the judge's and talked with Mrs. Pratt

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:

light departs. And yet it seems to me that through that darkness I can already see the shining welcome of many a long-lost face. Harry is there, and others; one above all, to my mind the sweetest and most perfect woman that ever gladdened this grey earth. But of her I have already written elsewhere, and at length, so why speak of her now? Why speak of her after this long silence, now that she is again so near to me, now that I go where she has gone?

The sinking sun is turning the golden roof of the great Temple to a fiery flame, and my fingers tire.

So to all who have known me, or known of me, to all who can think


Allan Quatermain
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

upon a smaller and more delicate scale; the fields are mere paddocks, so reduced that from this height their hedgerows appear a network of dark green threads overspreading the paler green of the grass. The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine. Arable lands are few and limited; with but slight exceptions the prospect is a broad rich mass of grass and trees, mantling minor hills and dales within the major. Such is the Vale of


Tess of the d'Urbervilles, A Pure Woman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

cattle-plague; and how there was none--as far as I recollect--in the uplands of Devon and Cornwall, nor of Wales, nor of the Scotch Highlands? Now, do you know why that was? Simply because we here, like those other up-landers, are in such a country as Palestine was before the foolish Jews cut down all their timber, and so destroyed their own rainfall--a 'land of brooks of water, of fountains and depths that spring out of valleys and hills.' There is hardly a field here that has not, thank God, its running brook, or its sweet spring, from which our cattle were drinking their health and life, while in the clay-lands of Cheshire, and in the Cambridgeshire fens--which were drained utterly dry--the poor