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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

huddled about the water hole and of his men and their horses stretched far away into the east across the now golden sand. The sentry was pointing in this direction, and the corporal, through narrowed lids, was searching the distance. Captain Jacot rose to his feet. He was not a man content to see through the eyes of others. He must see for himself. Usually he saw things long before others were aware that there was anything to see--a trait that had won for him the sobriquet of Hawk. Now he saw, just beyond the long shadows, a dozen specks rising and falling among the sands. They disappeared and reappeared, but always they grew larger. Jacot recognized them immediately. They were

The Son of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

Streaks of fiery red glared from behind the masses of crimson-flushed brown cloud that seemed about to unloose a furious gale. There was a smothered murmur of the sea, a moaning sound that seemed to come from the depths, a low warning growl, such as a dog gives when he only means mischief as yet. After all, Ostend was not far away. Perhaps painting, like poetry, could not prolong the existence of the picture presented by sea and sky at that moment beyond the time of its actual duration. Art demands vehement contrasts, wherefore artists usually seek out Nature's most striking effects, doubtless because they despair of rendering the great and glorious charm of her daily moods; yet the human soul is often stirred as deeply by her calm as by her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin:

to a stone, we brought them all away and built our little wharff. The next morning the workmen were surprised at missing the stones, which were found in our wharff. Inquiry was made after the removers; we were discovered and complained of; several of us were corrected by our fathers; and though I pleaded the usefulness of the work, mine convinced me that nothing was useful which was not honest.

I think you may like to know something of his person and character. He had an excellent constitution of body, was of middle stature, but well set, and very strong; he was ingenious, could draw prettily, was skilled a little in music, and had a clear pleasing voice, so that when he played psalm tunes on his violin and sung withal,

The Autobiography of Benjamin Franklin
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philosophy 4 by Owen Wister:

be nothing it all--smells or shapes--not even an island. Seems to me that's what you call logic."

The tutor directed his smile at the open window. "Berkeley--" said he.

"By Jove!" said the other boy, not heeding him, "and here's another point: if color is entirely in my brain, why don't that ink-bottle and this shirt look alike to me? They ought to. And why don't a Martini cocktail and a cup of coffee taste the same to my tongue?" "Berkeley," attempted the tutor, "demonstrates--"

"Do you mean to say," the boy rushed on, "that there is no eternal quality in all these things which when it meets my perceptions compels me to see differences?"