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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ion by Plato:

are restricted to a single theme, or, like Tynnichus, are famous for a single poem; and the rhapsode is the inspired interpreter of the poet, and for a similar reason some rhapsodes, like Ion, are the interpreters of single poets.

Ion is delighted at the notion of being inspired, and acknowledges that he is beside himself when he is performing;--his eyes rain tears and his hair stands on end. Socrates is of opinion that a man must be mad who behaves in this way at a festival when he is surrounded by his friends and there is nothing to trouble him. Ion is confident that Socrates would never think him mad if he could only hear his embellishments of Homer. Socrates asks whether he can speak well about everything in Homer. 'Yes, indeed he can.'

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Octopus by Frank Norris:

schedule, "where is there any reduction in rates in the San Joaquin--from Bonneville and Guadalajara, for instance? I don't see as you've made any reduction at all. Is this right? Did you give me the right schedule?"

"Of course, ALL the points in the State could not be covered at once," returned Lyman. "We never expected, you know, that we could cut rates in the San Joaquin the very first move; that is for later. But you will see we made very material reductions on shipments from the upper Sacramento Valley; also the rate from Ione to Marysville has been reduced eighty cents a ton."

"Why, rot," cried Annixter, "no one ever ships wheat that way."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

the knife, pried open the teeth, which offered less resistance than before, counted one after the other twelve drops, and watched; the phial contained, perhaps, twice as much more. He waited ten minutes, a quarter of an hour, half an hour, -- no change took place. Trembling, his hair erect, his brow bathed with perspiration, he counted the seconds by the beating of his heart. Then he thought it was time to make the last trial, and he put the phial to the purple lips of Faria, and without having occasion to force open his jaws, which had remained extended, he poured the whole of the liquid down his throat.


The Count of Monte Cristo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Betty by Honore de Balzac:

A Man of Business The Muse of the Department The Unconscious Humorists

Paz, Thaddee The Imaginary Mistress

Popinot, Anselme Cesar Birotteau Gaudissart the Great Cousin Pons

Popinot, Madame Anselme Cesar Birotteau