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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Christ in Flanders by Honore de Balzac:

hadst brought all things beneath thy feet, and set thy foot on the necks of princes; when earthly dominion, and wealth, and the mind of man bore thy yoke? Exulting in the abasement of humanity, joying to witness the uttermost lengths to which man's folly would go, thou hast bidden thy lovers walk on all fours, and required of them their lands and wealth, nay, even their wives if they were worth aught to thee. Thou hast devoured millions of men without a cause; thou hast flung away lives like sand blown by the wind from West to East. Thou hast come down from the heights of thought to sit among the kings of men. Woman! instead of comforting men, thou hast tormented and afflicted them! Knowing that thou couldst ask and have, thou hast demanded--

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

to be gone to the spot where we have her hidden that I may fetch her in secrecy to Dusar. None is to know that she has ever been in the keeping of a Dusarian. I do not need to tell you what would befall Dusar should Ptarth and Helium and Kaol ever learn the truth."

The jaws of the listener at the ventilator clicked together with a vicious snap. Before he had but guessed at the identity of the subject of this conversation. Now he knew. And they were to kill her! His muscular fingers clenched until the nails bit into the palms.

"And you wish me to go with you while you fetch


Thuvia, Maid of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Arizona Nights by Stewart Edward White:

of the wranglers, and made out a cloud of dust. In a moment the first of the remuda came into view, trotting forward with the free grace of the unburdened horse. Others followed in procession: those near sharp and well defined, those in the background more or less obscured by the dust, now appearing plainly, now fading like ghosts. The leader turned unhesitatingly into the corral. After him poured the stream of the remuda--two hundred and fifty saddle horses--with an unceasing thunder of hoofs.

Immediately the cook-camp was deserted. The cowboys entered the corral. The horses began to circle around the edge of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry:

terrace to table d'hôte, from rathskeller to roadhouse, from café to casino, from Maria's to the Martha Wash- ington. Such is domestic life in the great city. Your vine is the mistletoe; your fig tree bears dates. Your household gods are Mercury and John Howard Payne. For the wedding march you now hear only "Come with the Gypsy Bride." You rarely dine at the same place twice in succession. You tire of the food; and, besides, you want to give them time for the question of that souve- nir silver sugar bowl to blow over.

The Turpins were therefore happy. They made many