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Today's Stichomancy for Joan of Arc

The first excerpt represents the past or something you must release, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

which gave him the cue."

"What seems to me incomprehensible," I replied, "is that all the places that were occupied by my furniture are now filled by other furniture."

"Oh!" responded the commissary, "he has had all night, and has no doubt been assisted by accomplices. This house must communicate with its neighbors. But have no fear, Monsieur; I will have the affair promptly and thoroughly investigated. The brigand shall not escape us for long, seeing that we are in charge of the den."

* * * * * * *

Ah! My heart, my heart, my poor heart, how it beats!

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Village Rector by Honore de Balzac:

tendrils, showing stems amid its foliage like the veins in a lay figure. This mantle, flung by Time to cover the wounds he made, was starred by autumn flowers drooping from the crevices, which also gave shelter to numerous singing birds. The rose-window above the projecting porch was adorned with blue campanula, like the first page of an illuminated missal. The side which communicated with the parsonage, toward the north, was not less decorated; the wall was gray and red with moss and lichen; but the other side and the apse, around which lay the cemetery, was covered with a wealth of varied blooms. A few trees, among others an almond-tree--one of the emblems of hope-- had taken root in the broken wall; two enormous pines standing close

The third excerpt represents the future or something you must embrace, and is drawn from Some Reminiscences by Joseph Conrad:

phase of the living universe reflected in our consciousness may be our appointed task on this earth. A task in which fate has perhaps engaged nothing of us except our conscience, gifted with a voice in order to bear true testimony to the visible wonder, the haunting terror, the infinite passion and the illimitable serenity; to the supreme law and the abiding mystery of the sublime spectacle.

Chi lo sa? It may be true. In this view there is room for every religion except for the inverted creed of impiety, the mask and cloak of arid despair; for every joy and every sorrow, for every fair dream, for every charitable hope. The great aim is to


Some Reminiscences