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Today's Stichomancy for Joel Grey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iron Puddler by James J. Davis:

bonds would go right on earning money for his children.

These men were capitalists and their future was provided for. Most of the mill-workers were only laborers, they had no capital and the minute their labors ended they were done for. The workers were kind-hearted, and when a fellow was killed in the mill or died of sickness they went to his widow and with tears in their eyes reached into their pockets and gave her what cash they had. I never knew a man to hang back when a collection for a widow was being taken. Contributions sometimes were as high as five dollars. It made a heartrending scene: the broken body of a once strong man lying under a white sheet; the children playing around

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maitre Cornelius by Honore de Balzac:

something indescribably vulgar and common. Looking at certain details of that countenance you would have thought him a debauched husbandman, or a miserly pedler; and yet, above these vague resemblances and the decrepitude of a dying old man, the king, the man of power, rose supreme. His eyes, of a light yellow, seemed at first sight extinct; but a spark of courage and of anger lurked there, and at the slightest touch it could burst into flames and cast fire about him. The doctor was a stout burgher, with a florid face, dressed in black, peremptory, greedy of gain, and self-important. These two personages were framed, as it were, in that panelled chamber, hung with high-warped tapestries of Flanders, the ceiling of which, made of carved beams, was blackened

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Lear by William Shakespeare:

Gloucester, that he is a manifold traitor, let him appear by the third sound of the trumpet. He is bold in his defence.'

Edm. Sound! First trumpet. Her. Again! Second trumpet. Her. Again! Third trumpet. Trumpet answers within.

Enter Edgar, armed, at the third sound, a Trumpet before him.

Alb. Ask him his purposes, why he appears Upon this call o' th' trumpet.

King Lear
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides by Plato:

own business.' But the artisan who makes another man's shoes may be temperate, and yet he is not doing his own business; and temperance defined thus would be opposed to the division of labour which exists in every temperate or well-ordered state. How is this riddle to be explained?

Critias, who takes the place of Charmides, distinguishes in his answer between 'making' and 'doing,' and with the help of a misapplied quotation from Hesiod assigns to the words 'doing' and 'work' an exclusively good sense: Temperance is doing one's own business;--(4) is doing good.

Still an element of knowledge is wanting which Critias is readily induced to admit at the suggestion of Socrates; and, in the spirit of Socrates and of Greek life generally, proposes as a fifth definition, (5) Temperance is