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Today's Stichomancy for John Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Unsocial Socialist by George Bernard Shaw:

behave towards Agatha as if the letter had given no offence. Henrietta pleaded as movingly as she could for an immediate return to their domestic state, but he put her off with endearing speeches, promised nothing but eternal affection, and sent her back to London by the twelve o'clock express. Then his countenance changed; he walked back to Lyvern, and thence to the chalet, like a man pursued by disgust and remorse. Later in the afternoon, to raise his spirits, he took his skates and went to Wickens's pond, where, it being Saturday, he found the ice crowded with the Alton students and their half-holiday visitors. Fairholme, describing circles with his habitual air of compressed

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Egmont by Johann Wolfgang Von Goethe:

who, from a distance, looks on and commands, believes that he requires only the possible. O ye kings! I had not thought it could have galled me thus. It is so sweet to reign!--and to abdicate? I know not how my father could do so; but I will also.

Machiavel appears in the back-ground

Regent. Approach, Machiavel. I am thinking over this letter from my brother.

Machiavel. May I know what it contains?

Regent. As much tender consideration for me as anxiety for his states. He extols the firmness, the industry, the fidelity, with which I have hitherto watched over the interests of his Majesty in these provinces. He condoles


Egmont
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Last War: A World Set Free by H. G. Wells:

to shift the talk from the question of celebrating the epoch they were making to the question of the probabilities that lay ahead. Here every one became diffident. They could see the world unified and at peace, but what detail was to follow from that unification they seemed indisposed to discuss. This diffidence struck the king as remarkable. He plunged upon the possibilities of science. All the huge expenditure that had hitherto gone into unproductive naval and military preparations, must now, he declared, place research upon a new footing. 'Where one man worked we will have a thousand.' He appealed to Holsten. 'We have only begun to peep into these possibilities,' he said. 'You


The Last War: A World Set Free
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

one of nervous pleasure rather than of gaiety. Presently Farfrae came round, his exuberant Scotch movement making him conspicuous in a moment. The pair were not dancing together, but Henchard could discern that whenever the chances of the figure made them the partners of a moment their emotions breathed a much subtler essence than at other times.

By degrees Henchard became aware that the measure was trod by some one who out-Farfraed Farfrae in saltatory intenseness. This was strange, and it was stranger to find that the eclipsing personage was Elizabeth-Jane's partner.


The Mayor of Casterbridge