|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Henry VI by William Shakespeare:
No, never such an oath; nor will not now.
Where did you dwell when I was King of England?
Here in this country, where we now remain.
I was anointed king at nine months old,
My father and my grandfather were kings,
And you were sworn true subjects unto me;
And tell me, then, have you not broke your oaths?
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:
She was thinking of something which had little connection with the
scene before her--thinking of her friend, lost as soon as found,
Mrs. Charmond; of her capricious conduct, and of the contrasting
scenes she was possibly enjoying at that very moment in other
climes, to which Grace herself had hoped to be introduced by her
friend's means. She wondered if this patronizing lady would
return to Hintock during the summer, and whether the acquaintance
which had been nipped on the last occasion of her residence there
would develop on the next.
Melbury told ancient timber-stories as he sat, relating them
directly to Fitzpiers, and obliquely to the men, who had heard
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:
"It is blood," he asserted grimly.
I looked around with a dizzy attempt at nonchalance. "Even if it
is," I remonstrated, "surely you don't suppose for a moment that
I know anything about it!"
The amateur detective elbowed his way in. He had a scrap of
transparent paper in his hand, and a pencil.
"I would like permission to trace the stains," he began eagerly.
"Also" - to me - "if you will kindly jab your finger with a
pin - needle - anything - "
"If you don't keep out of this," the conductor said savagely, "I
The Man in Lower Ten
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Bondage and My Freedom by Frederick Douglass:
for many days, pressing upon me more heavily at times than
others. When I saw the slave-driver whip a slave-woman, cut the
blood out of her neck, and heard her piteous cries, I went away
into the corner of the fence, wept and pondered over the mystery.
I had, through some medium, I know not what, got some idea of
God, the Creator of all mankind, the black and the white, and
that he had made the blacks to serve the whites as slaves. How
he could do this and be _good_, I could not tell. I was not
satisfied with this theory, which made God responsible for
slavery, for it pained me greatly, and I have wept over it long
and often. At one time, your first wife, Mrs. Lucretia, heard me
My Bondage and My Freedom