|The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac:
story, is it not? You know all miracles bear more or less resemblance
to the story of the Golden Tooth. We have our golden tooth in Jarvis,
that is all. Duncker the fisherman asserts that he has seen her plunge
into the fiord and come up in the shape of an eider-duck, at other
times walking on the billows of a storm. Fergus, who leads the flocks
to the saeters, says that in rainy weather a circle of clear sky can
be seen over the Swedish castle; and that the heavens are always blue
above Seraphita's head when she is on the mountain. Many women hear
the tones of a mighty organ when Seraphita enters the church, and ask
their neighbors earnestly if they too do not hear them. But my
daughter, for whom during the last two years Seraphita has shown much
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phaedo by Plato:
And that principle which repels the musical, or the just?
The unmusical, he said, and the unjust.
And what do we call the principle which does not admit of death?
The immortal, he said.
And does the soul admit of death?
Then the soul is immortal?
Yes, he said.
And may we say that this has been proven?
|The third excerpt represents the future or something you must embrace, and is drawn from Charmides and Other Poems by Oscar Wilde:
And felt her throbbing bosom, and his breath came hot and fast,
And all his hoarded sweets were hers to kiss,
And all her maidenhood was his to slay,
And limb to limb in long and rapturous bliss
Their passion waxed and waned, - O why essay
To pipe again of love, too venturous reed!
Enough, enough that Eros laughed upon that flowerless mead.
Too venturous poesy, O why essay
To pipe again of passion! fold thy wings
O'er daring Icarus and bid thy lay
Sleep hidden in the lyre's silent strings