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Today's Stichomancy for John Cleese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Francis Bacon by Francis Bacon:

that she goeth upon the ground, and yet hideth her head in the clouds; that in the daytime she sitteth in a watch tower, and flieth most by night; that she mingleth things done, with things not done; and that she is a terror to great cities. But that which passeth all the rest is: They do recount that the Earth, mother of the giants that made war against Jupiter, and were by him destroyed, there- upon in an anger brought forth Fame. For certain it is, that rebels, figured by the giants, and seditious fames and libels, are but brothers and sisters, mas-


Essays of Francis Bacon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac:

The countess was weeping bitterly, humiliated by the degradation of the man, to whom she kept saying for all answer, "Monsieur! monsieur! monsieur!"

Though the count's words made me blush, more for him than for Henriette, they stirred my heart violently, for they appealed to the sense of chastity and delicacy which is indeed the very warp and woof of first love.

"She is virgin at my expense," cried the count.

At these words the countess cried out, "Monsieur!"

"What do you mean with your imperious 'Monsieur!'" he shouted. "Am I not your master? Must I teach you that I am?"


The Lily of the Valley
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

On the one hand the proposition was calculated to bring the Women in all classes over to the side of the Chromatic Innovation. For by assigning to the Women the same two colours as were assigned to the Priests, the Revolutionists thereby ensured that, in certain positions, every Woman would appear like a Priest, and be treated with corresponding respect and deference -- a prospect that could not fail to attract the Female Sex in a mass.

But by some of my Readers the possibility of the identical appearance of Priests and Women, under the new Legislation, may not be recognized; if so, a word or two will make it obvious.

Imagine a woman duly decorated, according to the new Code;


Flatland: A Romance of Many Dimensions
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

in the career of Salome on the European stage, apart from the opera. In an introduction to the English translation published by Mr. John Lane it is pointed out that Wilde's confusion of Herod Antipas (Matt. xiv. 1) with Herod the Great (Matt. ii. 1) and Herod Agrippa I. (Acts xii. 23) is intentional, and follows a mediaeval convention. There is no attempt at historical accuracy or archaeological exactness. Those who saw the marvellous decor of Mr. Charles Ricketts at the second English production can form a complete idea of what Wilde intended in that respect; although the stage management was clumsy and amateurish. The great opera of Richard Strauss does not fall within my province; but the fag ends