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Today's Stichomancy for John Cleese

The first excerpt represents the past or something you must release, and is drawn from Alcibiades I by Plato:

Plato, are undoubtedly genuine. There is another portion of them, including the Epistles, the Epinomis, the dialogues rejected by the ancients themselves, namely, the Axiochus, De justo, De virtute, Demodocus, Sisyphus, Eryxias, which on grounds, both of internal and external evidence, we are able with equal certainty to reject. But there still remains a small portion of which we are unable to affirm either that they are genuine or spurious. They may have been written in youth, or possibly like the works of some painters, may be partly or wholly the compositions of pupils; or they may have been the writings of some contemporary transferred by accident to the more celebrated name of Plato, or of some Platonist in the next generation who aspired to imitate his master. Not

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Paradise Lost by John Milton:

No second stroke intend; and such a frown Each cast at th' other as when two black clouds, With heaven's artillery fraught, came rattling on Over the Caspian,--then stand front to front Hovering a space, till winds the signal blow To join their dark encounter in mid-air. So frowned the mighty combatants that Hell Grew darker at their frown; so matched they stood; For never but once more was wither like To meet so great a foe. And now great deeds Had been achieved, whereof all Hell had rung,


Paradise Lost
The third excerpt represents the future or something you must embrace, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

with his mother.

"And no more have you," he said, "no more have you a papa."

"Yes," replied the other, "I have one."

"Where is he?" rejoined Simon.

"He is dead," declared the brat with superb dignity, "he is in the cemetery, is my papa."

A murmur of approval rose amid the scape-graces, as if the fact of possessing a papa dead in a cemetery made their comrade big enough to crush the other one who had no papa at all. And these rogues, whose fathers were for the most part evil-doers, drunkards, thieves, and ill-treaters of their wives hustled each