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Today's Stichomancy for John Dillinger

The first excerpt represents the past or something you must release, and is drawn from The Road to Oz by L. Frank Baum:

ride in the shaggy man's pocket and planning to keep out of reach in the future.

At last the shaggy man turned and inquired, "What's your name, little girl?"

"My name's Dorothy," said she, jumping up again, "but what are we going to do? We can't stay here forever, you know."

"Let's take the seventh road," he suggested. "Seven is a lucky number for little girls named Dorothy."

"The seventh from where?"

"From where you begin to count."

So she counted seven roads, and the seventh looked just like all the


The Road to Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from St. Ives by Robert Louis Stevenson:

the current of my reflections was effectually changed by the arrival of two visitors in a gig. They were farmers of the neighbourhood, I suppose - big, burly fellows in great-coats and top-boots, mightily flushed with liquor when they arrived, and, before they left, inimitably drunk. They stayed long in the kitchen with Burchell, drinking, shouting, singing, and keeping it up; and the sound of their merry minstrelsy kept me a kind of company. The night fell, and the shine of the fire brightened and blinked on the panelled wall. Our illuminated windows must have been visible not only from the back lane of which Fenn had spoken, but from the court where the farmers' gig awaited them. In the far

The third excerpt represents the future or something you must embrace, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

skeleton lay in the crib, where it died crying for nourishment, from the first time I entered the cabin until Professor Porter's party buried it, with its father and mother, beside the cabin.

"No, that was the babe the book speaks of--and the mystery of my origin is deeper than before, for I have thought much of late of the possibility of that cabin having been my birthplace. I am afraid that Kala spoke the truth," he concluded sadly.

D'Arnot shook his head. He was unconvinced, and in his mind had sprung the determination to prove the correctness of his theory, for he had discovered the key which alone


Tarzan of the Apes