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Today's Stichomancy for John Dillinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Summer by Edith Wharton:

she said proudly, drawing back to contemplate the blouse she was trimming. "It's for Miss Balch: she was awfully pleased." She paused and then added, with a queer tremor in her piping voice: "I darsn't have told her I got the idea from one I saw on Julia."

Charity raised her eyes listlessly. "Do you still see Julia sometimes?"

Ally reddened, as if the allusion had escaped her unintentionally. "Oh, it was a long time ago I seen her with those gaugings...."

Silence fell again, and Ally presently continued: "Miss

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twilight Land by Howard Pyle:

last they came to a rickety, ramshackle house in a part of the town the young man had never been before. Here the old man stopped and knocked at the door, which was instantly opened, as though of itself, and then he entered with the young spendthrift at his heels. The two passed through a dark passage-way, and another door, and then, lo and behold! all was changed; for they had come suddenly into such a place as the young man would not have believed could be in such a house, had he not seen it with his own eyes. Thousands of waxen tapers lit the place as bright as day--a great oval room, floored with mosaic of a thousand bright colors and strange figures, and hung with tapestries of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A House of Pomegranates by Oscar Wilde:

vermilion lacquer studded with brass peacocks. Across the windows hung thin curtains of muslin embroidered with beetles' wings and with tiny seed-pearls, and as it passed by a pale-faced Circassian looked out and smiled at me. I followed behind, and the negroes hurried their steps and scowled. But I did not care. I felt a great curiosity come over me.

'At last they stopped at a square white house. There were no windows to it, only a little door like the door of a tomb. They set down the palanquin and knocked three times with a copper hammer. An Armenian in a caftan of green leather peered through the wicket, and when he saw them he opened, and spread a carpet on

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grenadiere by Honore de Balzac:

that lies at the foot of the upper wall is almost hidden by the trees that grow on the top of the lower, upon which it lies. The view of the river widens out before you at every step as you climb to the house.

At the end you come to a second gateway, a Gothic archway covered with simple ornament, now crumbling into ruin and overgrown with wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall on the hillside is decked with this ineradicable plant-life, which springs up along the cracks afresh with new wreaths for every time of year.

The worm-eaten gate gives into a little garden, a strip of turf, a few trees, and a wilderness of flowers and rose bushes--a garden won from