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Today's Stichomancy for John Glenn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

Mescal was at her favorite seat, with the white dog beside her; and she watched the desert where the last glow of sunset gilded the mesas. How cold and calm was her face! How strange to him in this new character!

"Mescal, I didn't know I loved you--then--but I know it now."

Her face dropped quickly from its level poise, hiding the brooding eyes; her hand trembled on Wolf's head.

"You spoke the truth. I'll get well. I'd rather have had it from your lips than from any in the world. I mean to live my life here where these wonderful things have come to me. The friendship of the good man who saved me, this wild, free desert, the glory of new hope, strength, life-- and love."

The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Father Sergius by Leo Tolstoy:

husband I tormented him by my jealousy, which I could not restrain.'

'I heard that he drank . . .'

'Yes, but I did not give him any peace. I always reproached him, though you know it is a disease! He could not refrain from it. I now remember how I tried to prevent his having it, and the frightful scenes we had!'

And she looked at Kasatsky with beautiful eyes, suffering from the remembrance.

Kasatsky remembered how he had been told that Pashenka's husband used to beat her, and now, looking at her thin withered neck with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

even pityingly at ours. Then, perchance, they have joined in a club cruise from San Francisco to Mare Island. They found the morning run up the Bay delightful. In the afternoon, when the brave west wind ramped across San Pablo Bay and they faced it on the long beat home, things were somewhat different. One by one, like a flight of swallows, our more meagrely sparred and canvassed yachts went by, leaving them wallowing and dead and shortening down in what they called a gale but which we called a dandy sailing breeze. The next time they came out, we would notice their sticks cut down, their booms shortened, and their after- leeches nearer the luffs by whole cloths.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

at once human and rural, and discourses pleasant reflections on the destiny of man. The spiry habitable city, ships, the divided fields, and browsing herds, and the straight highways, tell visibly of man's active and comfortable ways; and you may be never so laggard and never so unimpressionable, but there is something in the view that spirits up your blood and puts you in the vein for cheerful labour.

Immediately below is Fairmilehead, a spot of roof and a smoking chimney, where two roads, no thicker than packthread, intersect beside a hanging wood. If you are