| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Meno by Plato: fierce conflict; at length the animal principle is finally overpowered,
though not extinguished, by the combined energies of the passionate and
rational elements. This is one of those passages in Plato which, partaking
both of a philosophical and poetical character, is necessarily indistinct
and inconsistent. The magnificent figure under which the nature of the
soul is described has not much to do with the popular doctrine of the
ideas. Yet there is one little trait in the description which shows that
they are present to Plato's mind, namely, the remark that the soul, which
had seen truths in the form of the universal, cannot again return to the
nature of an animal.
In the Phaedo, as in the Meno, the origin of ideas is sought for in a
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wheels of Chance by H. G. Wells: "I ain't got none smaller than that," said the ostler.
"Won't do, really," said Hoopdriver, still wallowing in his
handkerchief.
"I'll see wot they got in the 'ouse, if you like, sir," said the
man. "If you would," said Hoopdriver. And as the man's heavily
nailed boots went clattering down the yard, Hoopdriver stood up,
took a noiseless step to the lady's machine, laid trembling hands
on its handle and saddle, and prepared for a rush.
The scullery door opened momentarily and sent a beam of warm,
yellow light up the road, shut again behind the man, and
forthwith Hoopdriver rushed the machines towards the gate. A dark
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Secret Adversary by Agatha Christie: "Be quiet. I'm thinking."
"Shades of Pelmanism!" said Tommy, and relapsed into silence.
"There!" said Tuppence at last. "I've got a plan. Obviously what
we've got to do is to find out more about it all."
Tommy applauded.
"Don't jeer. We can only find out through Whittington. We must
discover where he lives, what he does--sleuth him, in fact! Now I
can't do it, because he knows me, but he only saw you for a
minute or two in Lyons'. He's not likely to recognize you. After
all, one young man is much like another."
"I repudiate that remark utterly. I'm sure my pleasing features
 Secret Adversary |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tin Woodman of Oz by L. Frank Baum: and moved all about the room, feeling for some hidden
spring that might open a door or window and permit them
to escape.
Morning found them still unsuccessful in the quest
and as soon as it was daylight Woot's bed suddenly
disappeared, and he dropped to the floor with a thump
that quickly wakened him. And after a time the Giantess
came from her bedroom, wearing another dress that was
quite as elaborate as the one in which she had been
attired the evening before, and also wearing the pretty
lace apron. Having seated herself in a chair, she said:
 The Tin Woodman of Oz |