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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and Peace by Leo Tolstoy:

understand or believe what was going to happen to them. They could not believe it because they alone knew what their life meant to them, and so they neither understood nor believed that it could be taken from them.

Again Pierre did not wish to look and again turned away; but again the sound as of a frightful explosion struck his ear, and at the same moment he saw smoke, blood, and the pale, scared faces of the Frenchmen who were again doing something by the post, their trembling hands impeding one another. Pierre, breathing heavily, looked around as if asking what it meant. The same question was expressed in all the looks that met his.


War and Peace
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

the shedding of the blood of a divine Victim into close relationship with the very source of its life, are plentiful to find. "The sacramental rite," says Professor Robertson- Smith,[1] "is also an atoning rite, which brings the community again into harmony with its alienated god--atonement being simply an act of communion designed to wipe out all memory of previous estrangement." With this subject I shall deal more specially in chapter vii below. Meanwhile as instances of early Eucharists we may mention the following cases, remembering always that as the blood is regarded as the Life, the drinking or partaking of, or


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

somewhere else, and you can play around with girls without being involved in meshes of sentiment, and you can do anything and be justifiedand here am I with the brains to do everything, yet tied to the sinking ship of future matrimony. If I were born a hundred years from now, well and good, but now what's in store for meI have to marry, that goes without saying. Who? I'm too bright for most men, and yet I have to descend to their level and let them patronize my intellect in order to get their attention. Every year that I don't marry I've got less chance for a first-class man. At the best I can have my choice from one or two cities and, of course, I have to marry into a dinner-coat.


This Side of Paradise
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rezanov by Gertrude Atherton:

the Presidio, ascending to a high outpost of solid rock, whence it turned abruptly to the south in a waving line of steep irregular cliffs, harsh, barren, intersected with gullies. Then the land became sud- denly as flat as the sea, save for the shifting dunes: the desert porch of the great fertile valley hidden from the water by the waves of sand, but indicated by its rampart of mountains. The shallow water curved abruptly inward between the rocky mass on the right and a gentler incline and point two miles below. At its head was the "Battery of Yerba


Rezanov