Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

mother in her last illness. And I adopted this baby; at least, I am going to. He comes of respectable people, and his parents are dead. His mother died when he was born. He is healthy, and I thought him a beautiful baby."

"Yes, he is," assented Lawton, but he still looked somewhat perplexed. "But why did you hurry off so and get him, Eudora?" said he.

"I thought from what you said that day that you would be disappointed when you found out I had only the Lancaster linen and not a real baby," said Eudora with her calm, grand air and with no trace of a smile.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Prince of Bohemia by Honore de Balzac:

Honorine The Seamy Side of History The Magic Skin A Second Home Letters of Two Brides The Muse of the Department The Imaginary Mistress The Middle Classes Cousin Betty The Country Parson In addition, M. Bianchon narrated the following:

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Falk by Joseph Conrad:

alone. Yes. He told me this in his low, careless voice, to such a pitch of confidence had we arrived at the end of half an hour.

It took me just about that time to convince him that I had never dreamed of marrying Hermann's niece. Could any necessity have been more extrava- gant? And the difficulty was the greater because he was so hard hit that he couldn't imagine any- body being able to remain in a state of indifference. Any man with eyes in his head, he seemed to think, could not help coveting so much bodily magnifi-

Falk

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Passion in the Desert by Honore de Balzac:

the contortions of a dying comrade, who bury or plunder him quite light-heartedly, who stand intrepidly in the way of bullets;--in fact, one of those men who waste no time in deliberation, and would not hesitate to make friends with the devil himself. After looking very attentively at the proprietor of the menagerie getting out of his box, my companion pursed up his lips with an air of mockery and contempt, with that peculiar and expressive twist which superior people assume to show they are not taken in. Then, when I was expatiating on the courage of M. Martin, he smiled, shook his head knowingly, and said, 'Well known.'

" 'How "well known"?' I said. 'If you would only explain me the