| The first excerpt represents the past or something you must release, and is drawn from Weir of Hermiston by Robert Louis Stevenson: grey. Hay remained on the hospitable field, and must be carried to bed;
Pringle got somehow to his saddle about 3 A.M., and (as Archie stood
with the lamp on the upper doorstep) lurched, uttered a senseless view-
holloa, and vanished out of the small circle of illumination like a
wraith. Yet a minute or two longer the clatter of his break-neck flight
was audible, then it was cut off by the intervening steepness of the
hill; and again, a great while after, the renewed beating of phantom
horse-hoofs, far in the valley of the Hermiston, showed that the horse
at least, if not his rider, was still on the homeward way.
There was a Tuesday club at the "Cross-keys" in Crossmichael, where the
young bloods of the country-side congregated and drank deep on a
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moby Dick by Herman Melville: At that moment the two wakes were fairly crossed, and instantly,
then, in accordance with their singular ways, shoals of small
harmless fish, that for some days before had been placidly swimming
by our side, darted away with what seemed shuddering fins, and ranged
themselves fore and aft with the stranger's flanks. Though in the
course of his continual voyagings Ahab must often before have noticed
a similar sight, yet, to any monomaniac man, the veriest trifles
capriciously carry meanings.
"Swim away from me, do ye?" murmured Ahab, gazing over into the
water. There seemed but little in the words, but the tone conveyed
more of deep helpless sadness than the insane old man had ever before
Moby Dick |
The third excerpt represents the future or something you must embrace, and is drawn from Euthydemus by Plato: ancient and modern times. The persons whom Plato ridicules in the epilogue
to the Euthydemus are of this class. They occupy a border-ground between
philosophy and politics; they keep out of the dangers of politics, and at
the same time use philosophy as a means of serving their own interests.
Plato quaintly describes them as making two good things, philosophy and
politics, a little worse by perverting the objects of both. Men like
Antiphon or Lysias would be types of the class. Out of a regard to the
respectabilities of life, they are disposed to censure the interest which
Socrates takes in the exhibition of the two brothers. They do not
understand, any more than Crito, that he is pursuing his vocation of
detecting the follies of mankind, which he finds 'not unpleasant.'
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