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Today's Stichomancy for John Von Neumann

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

are actually afraid to take a walk in the streets unattended and unprotected. It is true that this is a superstition from the time when a retinue was part of the state of persons of quality, and the unattended person was supposed to be a common person of no quality, earning a living; but this has now become so absurd that children and young women are no longer told why they are forbidden to go about alone, and have to be persuaded that the streets are dangerous places, which of course they are; but people who are not educated to live dangerously have only half a life, and are more likely to die miserably after all than those who have taken all the common risks of freedom from their childhood onward as matters of course.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske:

diversity of the results obtained by the primitive mind, in different times and countries, when engaged upon similar problems. No one would think of referring these stories to a common traditional origin with the myths of Herakles and Odysseus; yet both classes of tales were devised to explain the same phenomenon. Both to the Aryan and to the Polynesian the steadfast but deliberate journey of the sun through the firmament was a strange circumstance which called for explanation; but while the meagre intelligence of the barbarian could only attain to the quaint conception of a man throwing a noose over the sun's head, the rich imagination of


Myths and Myth-Makers
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

"If I am vile, is it not your system that has made me so?" This ghastly laughter gives occasion, moreover, for the one strain of tenderness running through the web of this unpleasant story: the love of the blind girl Dea, for the monster. It is a most benignant providence that thus harmoniously brings together these two misfortunes; it is one of those compensations, one of those afterthoughts of a relenting destiny, that reconcile us from time to time to the evil that is in the world; the atmosphere of the book is purified by the presence of this pathetic love; it seems to be above the story somehow, and not of it, as the full moon

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voyage Out by Virginia Woolf:

likeness between him and Evelyn.

"And it's because of them," said Evelyn, "that I'm going to help the other women. You've heard about me, I suppose? They weren't married, you see; I'm not anybody in particular. I'm not a bit ashamed of it. They loved each other anyhow, and that's more than most people can say of their parents."

Rachel sat down on the bed, with the two pictures in her hands, and compared them--the man and the woman who had, so Evelyn said, loved each other. That fact interested her more than the campaign on behalf of unfortunate women which Evelyn was once more beginning to describe. She looked again from one to the other.