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Today's Stichomancy for John Von Neumann

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

He jumped for the stair-foot, and closed the door behind him; and as he snatched his candle and fled upward, the stillness of the night was broken by the sound of urgent footsteps approaching the house. In another moment he was in his room, and the twins were standing aghast over the body of the murdered man!

Tom put on his coat, buttoned his hat under it, threw on his suit of girl's clothes, dropped the veil, blew out his light, locked the room door by which he had just entered, taking the key, passed through his other door into the black hall, locked that door and kept the key, then worked his way along in the dark and descended the black stairs. He was not expecting to meet anybody,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Lover's Complaint by William Shakespeare:

Some beauty peeped through lattice of sear'd age.

Oft did she heave her napkin to her eyne, Which on it had conceited characters, Laund'ring the silken figures in the brine That season'd woe had pelleted in tears, And often reading what contents it bears; As often shrieking undistinguish'd woe, In clamours of all size, both high and low.

Sometimes her levell'd eyes their carriage ride; As they did battery to the spheres intend; Sometime diverted their poor balls are tied

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

So saying he made a ship's cable fast to one of the bearing-posts that supported the roof of the domed room, and secured it all around the building, at a good height, lest any of the women's feet should touch the ground; and as thrushes or doves beat against a net that has been set for them in a thicket just as they were getting to their nest, and a terrible fate awaits them, even so did the women have to put their heads in nooses one after the other and die most miserably. {178} Their feet moved convulsively for a while, but not for very long.

As for Melanthius, they took him through the cloister into the inner court. There they cut off his nose and his ears; they drew


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Meno by Plato:

that he was arguing from the necessary imperfection of language against the most certain facts. And here, again, we may find a parallel with the ancients. He goes beyond facts in his scepticism, as they did in their idealism. Like the ancient Sophists, he relegates the more important principles of ethics to custom and probability. But crude and unmeaning as this philosophy is, it exercised a great influence on his successors, not unlike that which Locke exercised upon Berkeley and Berkeley upon Hume himself. All three were both sceptical and ideal in almost equal degrees. Neither they nor their predecessors had any true conception of language or of the history of philosophy. Hume's paradox has been forgotten by the world, and did not any more than the scepticism of the ancients require to