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Today's Stichomancy for John Von Neumann

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Russia in 1919 by Arthur Ransome:

stuffs were produced, the variations being often merely for the sake of being different in the competitive trade. Useless varieties had now been done away with, with the result of greater economy in production.

I asked what he could tell me about their difficulties in the matter of raw material. He said they no longer get anything from America, and while the railway was cut at Orenburg by the Cossacks, they naturally could get no cotton from Turkestan. In fact, last autumn they had calculated that they had only enough material to keep the factories going until December. Now they found they could certainly keep going

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

act of swinging round from one guy to another, a great strain was suddenly brought upon the opposite tackle, with the end of which the artificers had very improperly neglected to take a turn round some stationary object, which would have given them the complete command of the tackle. Owing to this simple omission, the crane got a preponderancy to one side, and fell upon the building with a terrible crash. The surrounding artificers immediately flew in every direction to get out of its way; but Michael Wishart, the principal builder, having unluckily stumbled upon one of the uncut trenails, fell upon his back. His body fortunately got between the movable beam

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Of The Nature of Things by Lucretius:

Alive and able to sorrow for self destroyed, Or stand lamenting that the self lies there Mangled or burning. For if it an evil is Dead to be jerked about by jaw and fang Of the wild brutes, I see not why 'twere not Bitter to lie on fires and roast in flames, Or suffocate in honey, and, reclined On the smooth oblong of an icy slab, Grow stiff in cold, or sink with load of earth Down-crushing from above. "Thee now no more


Of The Nature of Things
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To the Lighthouse by Virginia Woolf:

the stir; and there rose to her lips always some exclamation of triumph over life when things came together in this peace, this rest, this eternity; and pausing there she looked out to meet that stroke of the Lighthouse, the long steady stroke, the last of the three, which was her stroke, for watching them in this mood always at this hour one could not help attaching oneself to one thing especially of the things one saw; and this thing, the long steady stroke, was her stroke. Often she found herself sitting and looking, sitting and looking, with her work in her hands until she became the thing she looked at--that light, for example. And it would lift up on it some little phrase or other which had been lying in her mind like that--"Children don't forget,


To the Lighthouse