| The first excerpt represents the past or something you must release, and is drawn from Othello by William Shakespeare: If I doe finde him fit, Ile moue your suite,
And seeke to effect it to my vttermost.
Exit
Cas. I humbly thanke your Ladyship.
Enter Bianca.
Bian. 'Saue you (Friend Cassio.)
Cassio. What make you from home?
How is't with you, my most faire Bianca?
Indeed (sweet Loue) I was comming to your house
Bian. And I was going to your Lodging, Cassio.
What? keepe a weeke away? Seuen dayes, and Nights?
Othello |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Black Beauty by Anna Sewell: flickering on the wall. Then I heard a cry of "Fire!" outside,
and the old hostler quietly and quickly came in; he got one horse out,
and went to another, but the flames were playing round the trapdoor,
and the roaring overhead was dreadful.
The next thing I heard was James' voice, quiet and cheery, as it always was.
"Come, my beauties, it is time for us to be off, so wake up and come along."
I stood nearest the door, so he came to me first, patting me as he came in.
"Come, Beauty, on with your bridle, my boy, we'll soon be
out of this smother." It was on in no time; then he took the scarf
off his neck, and tied it lightly over my eyes, and patting and coaxing
he led me out of the stable. Safe in the yard, he slipped the scarf
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The third excerpt represents the future or something you must embrace, and is drawn from The Contrast by Royall Tyler: <3> Tyler, in addition to the plays and law reports mentioned,
wrote and published the following works:
1. 'The Algerine Captive, or The Life and Adventures of Doctor
Updike Underhill, six years a prisoner among the Algerines.'
2 vols. Walpole, N. H., 1797.
2. 'Moral Tales for American Youths.' Boston, 1800.
3. 'The Yankey in London; a series of Letters written by an
American Youth during nine months' residence in the City of
London.' New-York, 1809.
He also contributed to a number of newspapers of his period,
and a collection of his contributions (with those of Joseph Den-
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