|The first excerpt represents the past or something you must release, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:
the dark-coloured races blushing in an invisible manner.
The hypothesis which appears to me the most probable, though it
may at first seem rash, is that attention closely directed
to any part of the body tends to interfere with the ordinary
and tonic contraction of the small arteries of that part.
These vessels, in consequence, become at such times more or
less relaxed, and are instantly filled with arterial blood.
This tendency will have been much strengthened, if frequent
attention has been paid during many generations to the same part,
owing to nerve-force readily flowing along accustomed channels,
and by the power of inheritance. Whenever we believe that others
Expression of Emotion in Man and Animals
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1984 by George Orwell:
Country, following the foot-track across the old rabbit-cropped pasture.
He could feel the short springy turf under his feet and the gentle sunshine
on his face. At the edge of the field were the elm trees, faintly stirring,
and somewhere beyond that was the stream where the dace lay in the green
pools under the willows.
Suddenly he started up with a shock of horror. The sweat broke out on his
backbone. He had heard himself cry aloud:
'Julia! Julia! Julia, my love! Julia!'
For a moment he had had an overwhelming hallucination of her presence. She
had seemed to be not merely with him, but inside him. It was as though she
had got into the texture of his skin. In that moment he had loved her far
|The third excerpt represents the future or something you must embrace, and is drawn from Melmoth Reconciled by Honore de Balzac:
pleasures . . . I . . . Great heavens! one moment! whatever you shall
ask of me--to fling myself from the window for instance--you will need
to say but one word, 'Leon!' and I will plunge down into hell. I would
bear any torture, any pain of body or soul, anything you might inflict
Castanier heard her with indifference. For an answer, he indicated
Leon to her with a fiendish laugh.
"The guillotine is waiting for him," he repeated.
"No, no, no! He shall not leave this house. I will save him!" she
cried. "Yes; I will kill any one who lays a finger upon him! Why will
you not save him?" she shrieked aloud; her eyes were blazing, her hair