| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lin McLean by Owen Wister: had his ticket, too. And as dawn now revealed the gray country to him,
his eye fell casually upon a mile-post: "Omaha, 876." He began to watch
for them:--877, 878. But the trunk would really get to Omaha.
"What are yu' laughin' about?" asked Honey.
"Oh, the wheels."
"Wheels?"
"Don't yu' hear 'em?" said Lin. "'Variety,' they keep a-sayin'. 'Variety,
variety.' "
"Huh!" said Honey, with scorn. "'Ker-chunka-chunk' 's all I make it."
"You're no poet," observed Mr. McLean.
As the train moved into Evanston in the sunlight, a gleam of dismay shot
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James: absorbing. Corvick had kept his information from his young friend
till after the removal of the last barrier to their intimacy - then
only had he let the cat out of the bag. Was it Gwendolen's idea,
taking a hint from him, to liberate this animal only on the basis
of the renewal of such a relation? Was the figure in the carpet
traceable or describable only for husbands and wives - for lovers
supremely united? It came back to me in a mystifying manner that
in Kensington Square, when I mentioned that Corvick would have told
the girl he loved, some word had dropped from Vereker that gave
colour to this possibility. There might be little in it, but there
was enough to make me wonder if I should have to marry Mrs. Corvick
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