| The first excerpt represents the past or something you must release, and is drawn from Pride and Prejudice by Jane Austen: the US, without a copyright notice.
Pride and Prejudice
by Jane Austen
Chapter 1
It is a truth universally acknowledged, that a single man in
possession of a large fortune must be in want of a wife.
However little known the feelings or views of such a man may
be on his first entering a neighbourhood, this truth is so well
fixed in the minds of the surrounding families, that he is
considered the rightful property of someone or other of their
daughters.
 Pride and Prejudice |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Old Indian Legends by Zitkala-Sa: each pole into the earth. These he covered thick with reeds and
grasses. Soon the straw hut was ready. One by one the fat ducks
waddled in through a small opening, which was the only entrance
way. Beside the door Iktomi stood smiling, as the ducks, eyeing
his bundle of songs, strutted into the hut.
In a strange low voice Iktomi began his queer old tunes. All
the ducks sat round-eyed in a circle about the mysterious singer.
It was dim in that straw hut, for Iktomi had not forgot to cover up
the small entrance way. All of a sudden his song burst into full
voice. As the startled ducks sat uneasily on the ground, Iktomi
changed his tune into a minor strain. These were the words he
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The third excerpt represents the future or something you must embrace, and is drawn from A Man of Business by Honore de Balzac: Imperia/ of our day."
"With her rough skin!" exclaimed Malaga; "so rough, that she ruins
herself in bran baths!"
"Croizeau spoke with a coach-builder's admiration of the sumptuous
furniture provided by the amorous Denisart as a setting for his fair
one, describing it all in detail with diabolical complacency for
Antonia's benefit," continued Desroches. "The ebony chests inlaid with
mother-of-pearl and gold wire, the Brussels carpets, a mediaeval
bedstead worth three thousand francs, a Boule clock, candelabra in the
four corners of the dining-room, silk curtains, on which Chinese
patience had wrought pictures of birds, and hangings over the doors,
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