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Today's Stichomancy for Jon Stewart

The first excerpt represents the past or something you must release, and is drawn from The Koran:

Lord...? Say, 'Shall those who know be deemed equal with those who know not? only those will remember, who are endowed with minds!'

Say, 'O my servants who believe fear your Lord! for those who do well in this world is good, and God's earth is spacious; verily, the patient shall be paid their hire without count!'

Say, 'Verily, I am bidden to serve God, being sincere in religion to Him; and I am bidden that I be the first of those resigned.'

Say, 'Verily, I fear, if I rebel against my Lord, the torment of a mighty day.' Say, 'God do I serve, being sincere in my religion to Him; serve then what ye will beside Him!' Say, 'Verily, the losers are those who lose themselves and their families on the resurrection


The Koran
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Call of Cthulhu by H. P. Lovecraft:

dreamed very bizarre things, the intensity of the dreams being immeasurably the stronger during the period of the sculptor's delirium. Over a fourth of those who reported anything, reported scenes and half-sounds not unlike those which Wilcox had described; and some of the dreamers confessed acute fear of the gigantic nameless thing visible toward the last. One case, which the note describes with emphasis, was very sad. The subject, a widely known architect with leanings toward theosophy and occultism, went violently insane on the date of young Wilcox's seizure, and expired several months later after incessant screamings to be saved from some escaped denizen of hell. Had my uncle referred to these cases


Call of Cthulhu
The third excerpt represents the future or something you must embrace, and is drawn from The Happy Prince and Other Tales by Oscar Wilde:

touched her heart, and a fierce pang of pain shot through her. Bitter, bitter was the pain, and wilder and wilder grew her song, for she sang of the Love that is perfected by Death, of the Love that dies not in the tomb.

And the marvellous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart.

But the Nightingale's voice grew fainter, and her little wings began to beat, and a film came over her eyes. Fainter and fainter grew her song, and she felt something choking her in her throat.

Then she gave one last burst of music. The white Moon heard it,