The first excerpt represents the past or something you must release, and is drawn from Cousin Betty by Honore de Balzac: gambling hell. A man knows that they light him to his ruin.
But mealy-mouthed propriety, the semblance of virtue, the hypocritical
ways of a married woman who never allows anything to be seen but the
vulgar needs of the household, and affects to refuse every kind of
extravagance, leads to silent ruin, dumb disaster, which is all the
more startling because, though condoned, it remains unaccounted for.
It is the ignoble bill of daily expenses and not gay dissipation that
devours the largest fortune. The father of a family ruins himself
ingloriously, and the great consolation of gratified vanity is wanting
in his misery.
This little sermon will go like a javelin to the heart of many a home.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: To hang upon her every word:
"In truth," he said, "it was absurd."
The Third Voice
NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face
His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.
"Tears kindle not the doubtful spark.
If so, why not? Of this remark
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The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll: `What--is--this?' he said at last.
`This is a child!' Haigha replied eagerly, coming in front of
Alice to introduce her, and spreading out both his hands towards
her in an Anglo-Saxon attitude. `We only found it to-day. It's
as large as life, and twice as natural!'
`I always thought they were fabulous monsters!' said the
Unicorn. `Is it alive?'
`It can talk,' said Haigha, solemnly.
The Unicorn looked dreamily at Alice, and said `Talk, child.'
Alice could not help her lips curling up into a smile as she began:
`Do you know, I always thought Unicorns were fabulous monsters, too!
 Through the Looking-Glass |