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Today's Stichomancy for Jonas Salk

The first excerpt represents the past or something you must release, and is drawn from A Lover's Complaint by William Shakespeare:

'And long upon these terms I held my city, Till thus he 'gan besiege me: Gentle maid, Have of my suffering youth some feeling pity, And be not of my holy vows afraid: That's to you sworn, to none was ever said; For feasts of love I have been call'd unto, Till now did ne'er invite, nor never woo.

'All my offences that abroad you see Are errors of the blood, none of the mind; Love made them not; with acture they may be, Where neither party is nor true nor kind:

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Several Works by Edgar Allan Poe:

So that now, to still the beating of my heart, I stood repeating "'Tis some visiter entreating entrance at my chamber door-- Some late visiter entreating entrance at my chamber door; This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"--here I opened wide the door-- Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,

The third excerpt represents the future or something you must embrace, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

which had rendered life so easy and so happy since his infancy; he looked at the pictures, whose faces seemed to smile, and the landscapes, which appeared painted in brighter colors. Then he took away his mother's portrait, with its oaken frame, leaving the gilt frame from which he took it black and empty. Then he arranged all his beautiful Turkish arms, his fine English guns, his Japanese china, his cups mounted in silver, his artistic bronzes by Feucheres and Barye; examined the cupboards, and placed the key in each; threw into a drawer of his secretary, which he left open, all the pocket-money he had about him, and with it the


The Count of Monte Cristo