| The first excerpt represents the past or something you must release, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: rest of the oaks stood on, and strove in line, and saved the
habitations defended by them ...
II.
Before a little waxen image of the Mother and Child,--an odd
little Virgin with an Indian face, brought home by Feliu as a
gift after one of his Mexican voyages,--Carmen Viosca had burned
candles and prayed; sometimes telling her beads; sometimes
murmuring the litanies she knew by heart; sometimes also reading
from a prayer-book worn and greasy as a long-used pack of cards.
It was particularly stained at one page, a page on which her
tears had fallen many a lonely night--a page with a clumsy wood
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Soul of a Bishop by H. G. Wells: She seemed to consider whether he could bear the blow.
"She understands all sorts of things. She argues.... I am quite
unable to argue with her."
"About this vote business?"
"About all sorts of things. Things I didn't imagine she had
heard of. I knew she had been reading books. But I never imagined
that she could have understood...."
The bishop laid down his knife and fork.
"One may read in books, one may even talk of things, without
fully understanding," he said.
Lady Ella tried to entertain this comforting thought. "It isn't
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The third excerpt represents the future or something you must embrace, and is drawn from A Tramp Abroad by Mark Twain: floated about, and being flushed with that strange tint,
went waving to and fro like pale green flames. After a while,
radiating bars--vast broadening fan-shaped shadows--grew up
and stretched away to the zenith from behind the mountain.
It was a spectacle to take one's breath, for the wonder of it,
and the sublimity.
Indeed, those mighty bars of alternate light and shadow
streaming up from behind that dark and prodigious form
and occupying the half of the dull and opaque heavens,
was the most imposing and impressive marvel I had ever
looked upon. There is no simile for it, for nothing
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