| The first excerpt represents the past or something you must release, and is drawn from The Reign of King Edward the Third by William Shakespeare: Presents a greater substance than it is:
The freshest summer's day doth soonest taint
The loathed carrion that it seems to kiss:
Deep are the blows made with a mighty Axe:
That sin doth ten times aggravate it self,
That is committed in a holy place:
An evil deed, done by authority,
Is sin and subornation: Deck an Ape
In tissue, and the beauty of the robe
Adds but the greater scorn unto the beast.
A spatious field of reasons could I urge
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Princess by Alfred Tennyson: Whence drew you this steel temper? not from me,
Not from your mother, now a saint with saints.
She said you had a heart--I heard her say it--
"Our Ida has a heart"--just ere she died--
"But see that some on with authority
Be near her still" and I--I sought for one--
All people said she had authority--
The Lady Blanche: much profit! Not one word;
No! though your father sues: see how you stand
Stiff as Lot's wife, and all the good knights maimed,
I trust that there is no one hurt to death,
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The third excerpt represents the future or something you must embrace, and is drawn from The Land of Footprints by Stewart Edward White: nails, because I soon found that our own civilized "imprisoned"
toe nails were very much better developed. In fact, a large
number of the free and untramelled savages have hardly any toe
nails at all! Whether this upsets a theory, nullifies a
sentimental protest, or merely stands as an exception, I should
not dare guess. But the fact is indubitable.
XVIII. IN THE JUNGLE (a) THE MARCH TO MERU
Now, one day we left the Isiola River and cut across on a long
upward slant to the left. In a very short time we had left the
plains, and were adrift in an ocean of brown grass that concealed
all but the bobbing loads atop the safari, and over which we
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