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Today's Stichomancy for Jonas Salk

The first excerpt represents the past or something you must release, and is drawn from Adieu by Honore de Balzac:

See!" added Stephanie's uncle, leading the marquis to a window.

The latter then saw the countess seated on the ground between Genevieve's legs. The peasant-girl, armed with a huge horn comb, was giving her whole attention to the work of disentangling the long black hair of the poor countess, who was uttering little stifled cries, expressive of some instinctive sense of pleasure. Monsieur d'Albon shuddered as he saw the utter abandonment of the body, the careless animal ease which revealed in the hapless woman a total absence of soul.

"Philippe, Philippe!" he muttered, "the past horrors are nothing!--Is there no hope?" he asked.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Letters of Two Brides by Honore de Balzac:

delicate flower-like fingers; it expands in tender, transparent nails; it spins the silky tresses; it kicks in the little feet. Oh! those baby feet, how plainly they talk to us! In them the child finds its first language.

Yes, Louise, nursing is a miracle of transformation going on before one's bewildered eyes. Those cries, they go to your heart and not your ears; those smiling eyes and lips, those plunging feet, they speak in words which could not be plainer if God traced them before you in letters of fire! What else is there in the world to care about? The father? Why, you could kill him if he dreamed of waking the baby! Just as the child is the world to us, so do we stand alone in the world for

The third excerpt represents the future or something you must embrace, and is drawn from Aeneid by Virgil:

An unexpected foe, he fac'd the lines. "Is there," he said, "in arms, who bravely dare His leader's honor and his danger share?" Then spurring on, his brandish'd dart he threw, In sign of war: applauding shouts ensue.

Amaz'd to find a dastard race, that run Behind the rampires and the battle shun, He rides around the camp, with rolling eyes, And stops at ev'ry post, and ev'ry passage tries. So roams the nightly wolf about the fold: Wet with descending show'rs, and stiff with cold,