| The first excerpt represents the past or something you must release, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer: Still, if you're determined, sir, there's an end of it. Foster will make
your face up. What disguise do you propose to adopt?"
"A sort of Dago seaman, I think; something like poor Cadby.
I can rely on my knowledge of the brutes, if I am sure
of my disguise."
"You are forgetting me, Smith," I said.
He turned to me quickly.
"Petrie," he replied, "it is MY business, unfortunately, but it
is no sort of hobby."
"You mean that you can no longer rely upon me?"
I said angrily.
 The Insidious Dr. Fu-Manchu |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: the shape of my face, my mouth, my smile, my teeth!--well, his birth
was a relief to me; my thoughts were diverted by the first joys of
maternity from my husband, who gave me no pleasure and did nothing for
me that was kind or amiable; those joys were all the keener because I
knew no others. It had been so often rung into my ears that a mother
should respect herself. Besides, a young girl loves to play the
mother. I was so proud of my flower--for Georges was beautiful, a
miracle, I thought! I saw and thought of nothing but my son, I lived
with my son. I never let his nurse dress or undress him. Such cares,
so wearing to mothers who have a regiment of children, were all my
pleasure. But after three or four years, as I was not an actual fool,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Secret Places of the Heart by H. G. Wells: black death? Or was it cattle pest? Or did we just waste our
woods and dwindle away before the new peoples that came into
the land across the southern sea? I can't remember. . . . "
Sir Richmond turned about. "I would like to dig up the bottom
of this ditch here foot by foot--and dry the stuff and sift
it--very carefully. . . . Then I might begin to remember
things."
Section 5
In the evening, after a pleasant supper, they took a turn
about the walls with the moon sinking over beyond Silbury,
and then went in and sat by lamplight before a brightly fussy
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