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Today's Stichomancy for Joseph Stalin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Agnes Grey by Anne Bronte:

concluded, and a few civil words having been exchanged with Mrs. Bloomfield, we repaired to the schoolroom again, and commenced the business of the day. I found my pupils very backward, indeed; but Tom, though averse to every species of mental exertion, was not without abilities. Mary Ann could scarcely read a word, and was so careless and inattentive that I could hardly get on with her at all. However, by dint of great labour and patience, I managed to get something done in the course of the morning, and then accompanied my young charge out into the garden and adjacent grounds, for a little recreation before dinner. There we got along tolerably together, except that I found they had no notion of going


Agnes Grey
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

Though all my friends should wish me dead, For Willie among the rushes, O!

He sang it well, even as a song; but he did better yet a performer. I have heard famous actors, when there was not a dry eye in the Edinburgh theatre; a great wonder to behold; but no more wonderful than how the Master played upon that little ballad, and on those who heard him, like an instrument, and seemed now upon the point of failing, and now to conquer his distress, so that words and music seemed to pour out of his own heart and his own past, and to be aimed directly at Mrs. Henry. And his art went further yet; for all was so delicately touched, it seemed impossible to suspect him

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

small of him to take his little disgrace so hard, and shut himself up. 'Grant that it is a ridiculous story, painfully ridiculous,' I keep telling him. 'Be a man! Live it down, man!' But not he. Of course, it's just solitude, and shame, and all that. But I confess I'm beginning to fear the result. It would be all the pities in the world if a really promising fellow like Weir was to end ill. I'm seriously tempted to write to Lord Hermiston, and put it plainly to him."

"I would if I were you," some of his auditors would say, shaking the head, sitting bewildered and confused at this new view of the matter, so deftly indicated by a single word. "A capital idea!" they would add, and wonder at the APLOMB and position of this young man, who talked as a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

house; his eyes had not yet rested on it. The windows of the second floor, where the Venetian blinds were drawn up, revealing little dingy muslin curtains behind the large Bohemian glass panes, did not interest him either. His attention was attracted to the third floor, to the modest sash-frames of wood, so clumsily wrought that they might have found a place in the Museum of Arts and Crafts to illustrate the early efforts of French carpentry. These windows were glazed with small squares of glass so green that, but for his good eyes, the young man could not have seen the blue-checked cotton curtains which screened the mysteries of the room from profane eyes. Now and then the watcher, weary of his fruitless contemplation, or of the silence in