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Today's Stichomancy for Joseph Stalin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

begun to transfer the action farther and farther within the cavern. As it was, the tumult soon receded altogether from sight in the blackness, with only occasional evil echoes to mark its continuance.

Then the most alert of the ghouls gave the signal for all to advance, and Carter followed the loping three out of the forest of monoliths and into the dark noisome streets of that awful city whose rounded towers of cyclopean stone soared up beyond the sight. Silently they shambled over that rough rock pavement, hearing with disgust the abominable muffled snortings from great black doorways which marked the slumber of the Gugs. Apprehensive of the ending of the rest hour, the ghouls set a somewhat rapid pace;


The Dream-Quest of Unknown Kadath
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grenadiere by Honore de Balzac:

more. To-morrow you will be a man, my child. So I am obliged to make some arrangements, which must remain a secret, known only to us. Take the key of my little table. That is it. Now open the drawer. You will find two sealed papers to the left. There is the name of LOUIS on one, and on the other MARIE."

"Here they are, mother."

"Those are your certificates of birth, darling; you will want them. Give them to our poor, old Annette to keep for you; ask her for them when you need them. Now," she continued, "is there not another paper as well, something in my handwriting?"

"Yes, mother," and Louis began to read, "MARIE WILLEMSENS, BORN

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays & Lectures by Oscar Wilde:

you would soon raise up a race of handicraftsmen who would transform the face of your country. I have seen only one such school in the United States, and this was in Philadelphia and was founded by my friend Mr. Leyland. I stopped there yesterday and have brought some of the work here this afternoon to show you. Here are two disks of beaten brass: the designs on them are beautiful, the workmanship is simple, and the entire result is satisfactory. The work was done by a little boy twelve years old. This is a wooden bowl decorated by a little girl of thirteen. The design is lovely and the colouring delicate and pretty. Here you see a piece of beautiful wood carving accomplished by a little boy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

marry as in the old days, when the bride and bridegroom did not even see each other before marriage?" she continued, answering, as is the habit of our ladies, not the words that her interlocutor had spoken, but the words she believed he was going to speak. "Women did not know whether they would love or would be loved, and they were married to the first comer, and suffered all their lives. Then you think it was better so?" she continued, evidently addressing the lawyer and myself, and not at all the old man.

"People have become too learned," repeated the last, looking at the lady with contempt, and leaving her question unanswered.


The Kreutzer Sonata