Today's Stichomancy for Joseph Stalin
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Agnes Grey by Anne Bronte: concluded, and a few civil words having been exchanged with Mrs.
Bloomfield, we repaired to the schoolroom again, and commenced the
business of the day. I found my pupils very backward, indeed; but
Tom, though averse to every species of mental exertion, was not
without abilities. Mary Ann could scarcely read a word, and was so
careless and inattentive that I could hardly get on with her at
all. However, by dint of great labour and patience, I managed to
get something done in the course of the morning, and then
accompanied my young charge out into the garden and adjacent
grounds, for a little recreation before dinner. There we got along
tolerably together, except that I found they had no notion of going
 Agnes Grey |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: Though all my friends should wish me dead,
For Willie among the rushes, O!
He sang it well, even as a song; but he did better yet a performer.
I have heard famous actors, when there was not a dry eye in the
Edinburgh theatre; a great wonder to behold; but no more wonderful
than how the Master played upon that little ballad, and on those
who heard him, like an instrument, and seemed now upon the point of
failing, and now to conquer his distress, so that words and music
seemed to pour out of his own heart and his own past, and to be
aimed directly at Mrs. Henry. And his art went further yet; for
all was so delicately touched, it seemed impossible to suspect him
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Weir of Hermiston by Robert Louis Stevenson: small of him to take his little disgrace so hard, and shut himself up.
'Grant that it is a ridiculous story, painfully ridiculous,' I keep
telling him. 'Be a man! Live it down, man!' But not he. Of course,
it's just solitude, and shame, and all that. But I confess I'm
beginning to fear the result. It would be all the pities in the world
if a really promising fellow like Weir was to end ill. I'm seriously
tempted to write to Lord Hermiston, and put it plainly to him."
"I would if I were you," some of his auditors would say, shaking the
head, sitting bewildered and confused at this new view of the matter, so
deftly indicated by a single word. "A capital idea!" they would add,
and wonder at the APLOMB and position of this young man, who talked as a
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac: house; his eyes had not yet rested on it. The windows of the second
floor, where the Venetian blinds were drawn up, revealing little dingy
muslin curtains behind the large Bohemian glass panes, did not
interest him either. His attention was attracted to the third floor,
to the modest sash-frames of wood, so clumsily wrought that they might
have found a place in the Museum of Arts and Crafts to illustrate the
early efforts of French carpentry. These windows were glazed with
small squares of glass so green that, but for his good eyes, the young
man could not have seen the blue-checked cotton curtains which
screened the mysteries of the room from profane eyes. Now and then the
watcher, weary of his fruitless contemplation, or of the silence in
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