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Today's Stichomancy for Joseph Stalin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Bondage and My Freedom by Frederick Douglass:

as those of the most favored and petted _white_ children of the slaveholder. The slave-boy escapes many troubles which befall and vex his white brother. He seldom has to listen to lectures on propriety of behavior, or on anything else. He is never chided for handling his little knife and fork improperly or awkwardly, for he uses none. He is never reprimanded for soiling the table-cloth, for he takes his meals on the clay floor. He never has the misfortune, in his games or sports, of soiling or tearing his clothes, for he has almost none to soil or tear. He is never expected to act like a nice little gentleman, for he is only a rude little slave. Thus, freed from all restraint, the


My Bondage and My Freedom
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bureaucracy by Honore de Balzac:

directory who initiates him into what Bilboquet, that profound philosopher, called the high comedy of government; he is spared all the horrors of drudgery and is finally appointed to some important office. The rich supernumerary never alarms the other clerks; they know he does not endanger their interests, for he seeks only the highest posts in the administration. About the period of which we write many families were saying to themselves: "What can we do with our sons?" The army no longer offered a chance for fortune. Special careers, such as civil and military engineering, the navy, mining, and the professorial chair were all fenced about by strict regulations or to be obtained only by competition; whereas in the civil service the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heroes by Charles Kingsley:

wailed, and called her mother; yet she did not see Perseus, for the cap of darkness was on his head.

Full of pity and indignation, Perseus drew near and looked upon the maid. Her cheeks were darker than his were, and her hair was blue-black like a hyacinth; but Perseus thought, 'I have never seen so beautiful a maiden; no, not in all our isles. Surely she is a king's daughter. Do barbarians treat their kings' daughters thus? She is too fair, at least, to have done any wrong I will speak to her.'

And, lifting the hat from his head, he flashed into her sight. She shrieked with terror, and tried to hide her face

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glinda of Oz by L. Frank Baum:

-- a hundred of the most beautiful girls of the Fairyland of Oz. The palace court was built of rare marbles, exquisitely polished. Fountains tinkled musically here and there; the vast colonnade, open to the south, allowed the maidens, as they raised their heads from their embroideries, to gaze upon a vista of rose-hued fields and groves of trees bearing fruits or laden with sweet-scented flowers. At times one of the girls would start a song, the others joining in the chorus, or one would rise and dance, gracefully swaying to the music of a harp played by a companion. And then


Glinda of Oz