| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Critias by Plato: children; but the virtues and the laws of their predecessors, they knew
only by obscure traditions; and as they themselves and their children
lacked for many generations the necessaries of life, they directed their
attention to the supply of their wants, and of them they conversed, to the
neglect of events that had happened in times long past; for mythology and
the enquiry into antiquity are first introduced into cities when they begin
to have leisure (Cp. Arist. Metaphys.), and when they see that the
necessaries of life have already been provided, but not before. And this
is the reason why the names of the ancients have been preserved to us and
not their actions. This I infer because Solon said that the priests in
their narrative of that war mentioned most of the names which are recorded
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Europeans by Henry James: Acton pretended to sit down, but he was restless; he found it
impossible to talk with Mr. Wentworth. At the end of ten minutes
he took up his hat and said that he thought he would "go off."
It was very late; it was ten o'clock.
His quiet-faced kinsman looked at him a moment.
"Are you going home?" he asked.
Acton hesitated, and then answered that he had proposed to go over and take
a look at the Baroness.
"Well, you are honest, at least," said Mr. Wentworth, sadly.
"So are you, if you come to that!" cried Acton, laughing.
"Why should n't I be honest?"
|