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Today's Stichomancy for Josh Hartnett

The first excerpt represents the past or something you must release, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

Hepzibah's periwigged predecessor had retired from trade) at once set every nerve of her body in responsive and tumultuous vibration. The crisis was upon her! Her first customer was at the door!

Without giving herself time for a second thought, she rushed into the shop, pale, wild, desperate in gesture and expression, scowling portentously, and looking far better qualified to do fierce battle with a housebreaker than to stand smiling behind the counter, bartering small wares for a copper recompense. Any ordinary customer, indeed, would have turned his back and fled. And yet there was nothing fierce in Hepzibah's poor old heart; nor had she, at the moment, a single bitter thought against the world at large, or one individual man or


House of Seven Gables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Art of Writing by Robert Louis Stevenson:

succeeded to a prodigious accumulation of old law-papers and old tin boxes, some of them of Peter's hoarding, some of his father's, John, first of the dynasty, a great man in his day. Among other collections were all the papers of the Durrisdeers.'

'The Durrisdeers!' cried I. 'My dear fellow, these may be of the greatest interest. One of them was out in the '45; one had some strange passages with the devil - you will find a note of it in Law's MEMORIALS, I think; and there was an unexplained tragedy, I know not what, much later, about a hundred years ago - '

The third excerpt represents the future or something you must embrace, and is drawn from King Lear by William Shakespeare:

And bring you where both fire and food is ready. Lear. First let me talk with this philosopher. What is the cause of thunder? Kent. Good my lord, take his offer; go into th' house. Lear. I'll talk a word with this same learned Theban. What is your study? Edg. How to prevent the fiend and to kill vermin. Lear. Let me ask you one word in private. Kent. Importune him once more to go, my lord. His wits begin t' unsettle. Glou. Canst thou blame him?


King Lear