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Today's Stichomancy for Jude Law

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Theaetetus by Plato:


SOCRATES: The second case was, that I, knowing one of you and not knowing the other, and perceiving neither, can never think him whom I know to be him whom I do not know.


SOCRATES: In the third case, not knowing and not perceiving either of you, I cannot think that one of you whom I do not know is the other whom I do not know. I need not again go over the catalogue of excluded cases, in which I cannot form a false opinion about you and Theodorus, either when I know both or when I am in ignorance of both, or when I know one and not the other. And the same of perceiving: do you understand me?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

murderous contrivances!

It is strange: he was the only man I ever loved who did not habitually interrupt. The fact draws my own portrait. And it is one of the many reasons why I count myself honoured by his friendship. A man like you HAD to like me; you could not help yourself; but Ferrier was above me, we were not equals; his true self humoured and smiled paternally upon my failings, even as I humoured and sorrowed over his.

Well, first his mother, then himself, they are gone: 'in their resting graves.'

When I come to think of it, I do not know what I said to his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Of level sun finds Sister Marta's face, And trembling there it lights a timid smile Upon the lips that say so many prayers, And have no words for hate and none for love. But when she passes where her prayers have gone, Will God not smile a little sadly then, And send her back with gentle words to earth That she may hold a child against her breast And feel its little hands upon her hair? We weep before the Blessed Mother's shrine, To think upon her sorrows, but her joys

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:


Who will believe my verse in time to come, If it were fill'd with your most high deserts? Though yet heaven knows it is but as a tomb Which hides your life, and shows not half your parts. If I could write the beauty of your eyes, And in fresh numbers number all your graces, The age to come would say 'This poet lies; Such heavenly touches ne'er touch'd earthly faces.' So should my papers, yellow'd with their age, Be scorn'd, like old men of less truth than tongue,