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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Snow Image by Nathaniel Hawthorne:

change. One side of the face blazed an intense red, while the other was black as midnight, the division line being in the broad bridge of the nose; and a mouth which seemed to extend from ear to ear was black or red, in contrast to the color of the cheek. The effect was as if two individual devils, a fiend of fire and a fiend of darkness, had united themselves to form this infernal visage. The stranger grinned in Robin's face, muffled his party-colored features, and was out of sight in a moment.

"Strange things we travellers see!" ejaculated Robin.

He seated himself, however, upon the steps of the church-door, resolving to wait the appointed time for his kinsman. A few


The Snow Image
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

Metrodorus, or in later times the Stoics, but as fancy may dictate. And the conclusions drawn from them are sound, although the premises are fictitious. These fanciful appeals to Homer add a charm to Plato's style, and at the same time they have the effect of a satire on the follies of Homeric interpretation. To us (and probably to himself), although they take the form of arguments, they are really figures of speech. They may be compared with modern citations from Scripture, which have often a great rhetorical power even when the original meaning of the words is entirely lost sight of. The real, like the Platonic Socrates, as we gather from the Memorabilia of Xenophon, was fond of making similar adaptations. Great in all ages and countries, in religion as well as in law and literature, has


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

None of the party had as yet observed upon the excellent bearing of the two men. They were dark, undersized, and well set up; stepped softly, waited deftly, brought on the wines and dishes at a look, and their eyes attended studiously on their master.

'Where do you get your labour from anyway?' asked Davis.

'Ah, where not?' answered Attwater.

'Not much of a soft job, I suppose?' said the captain.

'If you will tell me where getting labour is!' said Attwater with a shrug. 'And of course, in our case, as we could name no destination, we had to go far and wide and do the best we could.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

work we have ever executed.' Before this last ray of light I might have believed something--might have taken a woman's word. I left the shop still having faith in pleasure, but where love was concerned I was as atheistical as a mathematician.

"Two months later I was sitting by the side of the ethereal being in her boudoir, on her sofa; I was holding one of her hands--they were very beautiful--and we scaled the Alps of sentiment, culling their sweetest flowers, and pulling off the daisy-petals; there is always a moment when one pulls daisies to pieces, even if it is in a drawing- room and there are no daisies. At the intensest moment of tenderness, and when we are most in love, love is so well aware of its own short