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Today's Stichomancy for Justin Timberlake

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

He had fled, some say, for his life. Like Erasmus, he had no mind to be a martyr, and he had been terrified at the execution of poor Louis de Berquin, his friend, and the friend of Erasmus likewise. This Louis de Berquin, a man well known in those days, was a gallant young gentleman and scholar, holding a place in the court of Francis I., who had translated into French the works of Erasmus, Luther, and Melancthon, and had asserted that it was heretical to invoke the Virgin Mary instead of the Holy Spirit, or to call her our Hope and our Life, which titles--Berquin averred--belonged alone to God. Twice had the doctors of the Sorbonne, with that terrible persecutor, Noel Beda, at their head, seized poor Berquin, and tried

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Betty by Honore de Balzac:

scene that would take place on the morrow. And the very first thing in the morning she went to see Victorin and to tell him that Hortense and Wenceslas had parted.

When the Baron went home at half-past ten, Mariette and Louise, who had had a hard day, were locking up the apartment. Hulot had not to ring.

Very much put out at this compulsory virtue, the husband went straight to his wife's room, and through the half-open door he saw her kneeling before her Crucifix, absorbed in prayer, in one of those attitudes which make the fortune of the painter or the sculptor who is so happy to invent and then to express them. Adeline, carried away by her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Elixir of Life by Honore de Balzac:

spectacle of a corpse so wasted and shrunken that it seemed like a skeleton, and only the face was uncovered. This mummy-like figure lay in the middle of the room. The limp clinging linen lent itself to the outlines it shrouded--so sharp, bony, and thin. Large violet patches had already begun to spread over the face; the embalmers' work had not been finished too soon.

Don Juan, strong as he was in his scepticism, felt a tremor as he opened the magic crystal flask. When he stood over that face, he was trembling so violently, that he was actually obliged to wait for a moment. But Don Juan had acquired an early familiarity with evil; his morals had been corrupted by a licentious court, a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucolics by Virgil:

To the slim oaten reed my silvan lay. I sing but as vouchsafed me; yet even this If, if but one with ravished eyes should read, Of thee, O Varus, shall our tamarisks And all the woodland ring; nor can there be A page more dear to Phoebus, than the page Where, foremost writ, the name of Varus stands.

Speed ye, Pierian Maids! Within a cave Young Chromis and Mnasyllos chanced to see Silenus sleeping, flushed, as was his wont, With wine of yesterday. Not far aloof,