The first excerpt represents the past or something you must release, and is drawn from The Passionate Pilgrim by William Shakespeare: For why thou left'st me nothing in thy will:
And yet thou left'st me more than I did crave;
For why I craved nothing of thee still:
O yes, dear friend, I pardon crave of thee,
Thy discontent thou didst bequeath to me.
XI.
Venus, with young Adonis sitting by her
Under a myrtle shade, began to woo him:
She told the youngling how god Mars did try her,
And as he fell to her, so fell she to him.
'Even thus,' quoth she, 'the warlike god embraced me,'
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ion by Plato: holds universally? Must the same art have the same subject of knowledge,
and different arts other subjects of knowledge?
ION: That is my opinion, Socrates.
SOCRATES: Then he who has no knowledge of a particular art will have no
right judgment of the sayings and doings of that art?
ION: Very true.
SOCRATES: Then which will be a better judge of the lines which you were
reciting from Homer, you or the charioteer?
ION: The charioteer.
SOCRATES: Why, yes, because you are a rhapsode and not a charioteer.
ION: Yes.
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The third excerpt represents the future or something you must embrace, and is drawn from The Pool in the Desert by Sara Jeanette Duncan: go about devoutly hoping they won't marry in India,' I said. 'I
shall be very pleased if Cecily does as well as your girls have
done.'
'Mary in the Indian Civil and Jessie in the Imperial Service
Troops,' sighed Mrs. Morgan complacently. 'And both, my dear,
within a year. It WAS a blow.'
'Oh, it must have been!' I said civilly.
There was no use in bandying words with Emily Morgan.
'There is nothing in the world like the satisfaction and pleasure
one takes in one's daughters,' Mrs. Morgan went on limpidly. 'And
one can be in such CLOSE sympathy with one's girls. I have never
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