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Today's Stichomancy for Karl Marx

The first excerpt represents the past or something you must release, and is drawn from Tono Bungay by H. G. Wells:

about as big as Sarmatia in the store-room Atlas--were islands and archipelagoes of chintz-covered chairs and couches, tables, great Sevres vases on pedestals, a bronze man and horse. Somewhere in this wilderness one came, I remember, upon--a big harp beside a lyre-shaped music stand, and a grand piano....

The book-borrowing raid was one of extraordinary dash and danger.

One came down the main service stairs--that was legal, and illegality began in a little landing when, very cautiously, one went through a red baize door. A little passage led to the hall, and here one reconnoitered for Ann, the old head-housemaid--the younger housemaids were friendly and did not count. Ann located,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Underdogs by Mariano Azuela:

and made their toasts, too. When Meco's turn came, War Paint rushed in shouting jubilantly, attempting to drag a splendid black horse into the dining room.

"My booty! My booty!" she cried, patting the superb animal on the neck. It resisted every effort she made until a strong jerk of the rope and a sudden lash brought it in prancing smartly. The soldiers, half drunk, stared at the beast with ill-disguised envy.

"I don't know what the hell this she-devil's got, but she always beats everybody to it," cried Blondie. "She's been the same ever since she joined us at Tierra Blanca!"

The Underdogs
The third excerpt represents the future or something you must embrace, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

understanding well that he was being done, but taking his losses in the pursuit of character as a hunter sacrifices his dogs. As for the Strange Things, the reader will be relieved to hear that they were no stranger than might have been expected, and he may find things quite as strange without the expense of a Van Tromp for guide. Yet he was a guide of no mean order, who made up for the poverty of what he had to show by a copious, imaginative commentary.

'And such,' said he, with a hiccup, 'such is Paris.'

'Pooh!' said Dick, who was tired of the performance.

The Admiral hung an ear, and looked up sidelong with a