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Today's Stichomancy for Karl Marx

The first excerpt represents the past or something you must release, and is drawn from Adieu by Honore de Balzac:

sooner had the builders seen their handiwork afloat, than they sprang from the bank with odious selfishness. The major, fearing the fury of this first rush, held back the countess and the general, but too late he saw the whole raft covered, men pressing together like crowds at a theatre.

"Savages!" he cried, "it was I who gave you the idea of that raft. I have saved you, and you deny me a place."

A confused murmur answered him. The men at the edge of the raft, armed with long sticks, pressed with violence against the shore to send off the frail construction with sufficient impetus to force its way through corpses and ice-floes to the other shore.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mansion by Henry van Dyke:

"Surely," answered the doctor, with his familiar smile; "it will do you good. And you also must have a mansion in the city waiting for you--a fine one, too--are you not looking forward to it?"

"Yes," replied the other, hesitating a moment; "yes--I believe it must be so, although I had not expected to see it so soon. But I will go with you, and we can talk by the way."

The two men quickly caught up with the other people, and all went forward together along the road. The doctor had little to tell of his experience,

The third excerpt represents the future or something you must embrace, and is drawn from The Atheist's Mass by Honore de Balzac:

having long trampled in the bogs of poverty. I could obtain nothing from my family, nor from my home, beyond my inadequate allowance. In short, at that time, I breakfasted off a roll which the baker in the Rue du Petit-Lion sold me cheap because it was left from yesterday or the day before, and I crumbled it into milk; thus my morning meal cost me but two sous. I dined only every other day in a boarding-house where the meal cost me sixteen sous. You know as well as I what care I must have taken of my clothes and shoes. I hardly know whether in later life we feel grief so deep when a colleague plays us false as we have known, you and I, on detecting the mocking smile of a gaping seam