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Today's Stichomancy for Karl Rove

The first excerpt represents the past or something you must release, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

colour of the lead; and between was the dead man, dancing a bit in the air. He was obedient to the last, recited his crime, recommended his soul to God. And then. . .'

Attwater paused, and Herrick, who had been listening attentively, made a convulsive movement which upset his glass.

'And then?' said the breathless captain.

'Shot,' said Attwater. 'They came to ground together.'

Herrick sprang to his feet with a shriek and an insensate gesture.

'It was a murder,' he screamed. 'A cold-hearted, bloody-minded murder! You monstrous being! Murderer and hypocrite--murderer and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of the Klondyke by Jack London:

with the girl here. We will give her an order upon the company, not for a year, but for life. What was she when you found her? A raw, meat-eating savage; fish in summer, moose in winter, feasting in plenty, starving in famine. But for you that is what she would have remained. For your coming she was happier; for your going, surely, with a life of comparative splendor assured, she will be happier than if you had never been."

"No, no," he protested. "It is not right."

"Come, Dave, you must see. She is not your kind. There is no race affinity. She is an aborigine, sprung from the soil, yet close to the soil, and impossible to lift from the soil. Born

The third excerpt represents the future or something you must embrace, and is drawn from Fanny Herself by Edna Ferber:

words like Barmherzigkeit and Eigentumlichkeit. All during the sermon Fanny sat and dreamed and watched the shadow on the window of the pine tree that stood close to the temple, and was vastly amused at the jaundiced look that the square of yellow window glass cast upon the face of the vain and overdressed Mrs. Nathan Pereles. From time to time Bella would turn to bestow upon her a look intended to convey intense suffering and a resolute though dying condition. Fanny stonily ignored these mute messages. They offended something in her, though she could not tell what.

At the noon intermission she did not go home to the tempting


Fanny Herself