Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Kate Beckinsale

The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

until she made of her prosy old uncle a man of quaint and meditative charm, metamorphosed the stray telegraph boy into a Puck-like creature of delightful originality. At first this quality of hers somehow irritated Amory. He considered his own uniqueness sufficient, and it rather embarrassed him when she tried to read new interests into him for the benefit of what other adorers were present. He felt as if a polite but insistent stage-manager were attempting to make him give a new interpretation of a part he had conned for years. But Clara talking, Clara telling a slender tale of a hatpin and an inebriated man and herself.... People tried afterward to


This Side of Paradise
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

Shrivels into a handbreadth, and perchance That time is now! Well! let that time be now. Let this mean room be as that mighty stage Whereon kings die, and our ignoble lives Become the stakes God plays for.

I do not know Why I speak thus. My ride has wearied me. And my horse stumbled thrice, which is an omen That bodes not good to any.

Alas! my lord, How poor a bargain is this life of man,

The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn.

Noticing these things, I rode over a short causeway to the house. A servant in waiting took my horse, and I entered the Gothic archway of the hall. A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master. Much that I encountered on the way contributed, I know not how, to heighten the vague sentiments of which I have already spoken. While the objects around me--while the carvings of the ceilings,


The Fall of the House of Usher