| The first excerpt represents the past or something you must release, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: effectually for a tiny consideration. Thither, guided by the
shapely Mephisto and guarded by the team of jockeys and ballet
girls, tripped Flo. Into one of the lowest-ceiled, dingiest, and
most ancient-looking of these shops they stepped.
"A disguise for the demoiselle," announced Mephisto to the woman
who met them. She was small and wizened and old, with yellow,
flabby jaws, a neck like the throat of an alligator, and
straight, white hair that stood from her head uncannily stiff.
"But the demoiselle wishes to appear a boy, un petit garcon?" she
inquired, gazing eagerly at Flo's long, slender frame. Her voice
was old and thin, like the high quavering of an imperfect
The Goodness of St. Rocque and Other Stories |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Little Britain by Washington Irving: mite in the midst of one of his own Cheshires. Indeed, he is a
man of no little standing and importance; and his renown
extends through Huggin Lane, and Lad Lane, and even unto
Aldermanbury. His opinion is very much taken in affairs of
state, having read the Sunday papers for the last half century,
together with the "Gentleman's Magazine," Rapin's "History of
England," and the "Naval Chronicle." His head is stored with
invaluable maxims which have borne the test of time and use
for centuries. It is his firm opinion that "it is a moral
impossible," so long as England is true to herself, that anything
can shake her; and he has much to say on the subject of the
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The third excerpt represents the future or something you must embrace, and is drawn from The Touchstone by Edith Wharton: business, as far as I was concerned?"
Glennard flushed and his voice rose slightly. "Are you
reproaching me for not having remembered it sooner?"
Flamel, who had spoken in the rapid repressed tone of a man on the
verge of anger, stared a moment at this and then, in his natural
voice, rejoined, good-humoredly, "Upon my soul, I don't understand
you!"
The change of key seemed to disconcert Glennard. "It's simple
enough--" he muttered.
"Simple enough--your offering me money in return for a friendly
service? I don't know what your other friends expect!"
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