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Today's Stichomancy for Kate Moss

The first excerpt represents the past or something you must release, and is drawn from Middlemarch by George Eliot:

of a diagnosis--as to the philosophy of medial evidence--any glimmering of these can only come from a scientific culture of which country practitioners have usually no more notion than the man in the moon."

Mr. Bulstrode, bending and looking intently, found the form which Lydgate had given to his agreement not quite suited to his comprehension. Under such circumstances a judicious man changes the topic and enters on ground where his own gifts may be more useful.

"I am aware," he said, "that the peculiar bias of medical ability is towards material means. Nevertheless, Mr. Lydgate, I hope we shall not vary in sentiment as to a measure in which you are not likely to be actively concerned, but in which your


Middlemarch
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

work upon one of the blocks from Mylnefield quarry, which was prepared in the course of the following day, as the stone- cutters relieved each other, and worked both night and day, so that it was sent off in one of the stone-lighters without delay.

[Saturday, 9th July]

The site of the foundation-stone was very difficult to work, from its depth in the rock; but being now nearly prepared, it formed a very agreeable kind of pastime at high- water for all hands to land the stone itself upon the rock. The landing-master's crew and artificers accordingly entered

The third excerpt represents the future or something you must embrace, and is drawn from A Book of Remarkable Criminals by H. B. Irving:

the history of hypnotism; it belongs to the history of the world.

Dr. Liegeois himself, in coming to this court to-day, has fallen a victim to the suggestion of the young advocate who has persuaded him to come here to air his theories." The Court wisely declined to allow an attempt to be made to hypnotise the woman Bompard in the presence of her judges, and M. Henri Robert, her advocate, in his appeal to the jury, threw over altogether any idea of hypnotic suggestion, resting his plea on the moral weakness and irresponsibility of his client.

[18] Moll in his "Hypnotism" (London, 1909) states that, after Gabrielle Bompard's release M. Liegeois succeeded in putting


A Book of Remarkable Criminals