| The first excerpt represents the past or something you must release, and is drawn from Timaeus by Plato: language of a neutral and impersonal character...With a view to the
illustration of the Timaeus I propose to divide this Introduction into
sections, of which the first will contain an outline of the dialogue: (2)
I shall consider the aspects of nature which presented themselves to Plato
and his age, and the elements of philosophy which entered into the
conception of them: (3) the theology and physics of the Timaeus, including
the soul of the world, the conception of time and space, and the
composition of the elements: (4) in the fourth section I shall consider
the Platonic astronomy, and the position of the earth. There will remain,
(5) the psychology, (6) the physiology of Plato, and (7) his analysis of
the senses to be briefly commented upon: (8) lastly, we may examine in
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs: our walls, and standing upon the shoulders of others
they built human approaches to the wall tops, and were
on the very point of surging in upon us and overwhelming us.
"Not an arrow had been discharged by our bowmen--we did
but cause them to run to and fro along the wall top,
screaming taunts and threats at the enemy.
"Presently I thought to attempt the thing--THE GREAT
THING. I centred all my mighty intellect upon the bowmen
of my own creation--each of us produces and directs as
many bowmen as his mentality and imagination is capable of.
"I caused them to fit arrows to their bows for the first time.
Thuvia, Maid of Mars |
The third excerpt represents the future or something you must embrace, and is drawn from Baby Mine by Margaret Mayo: was wreathed in smiles.
"It's all right," she said sweetly. "Jimmy's going to get it."
Aggie looked at her sceptically. "Goodness knows I hope so," she
said, then added in despair, "Look at your cheeks. They're
flaming."
Once more the powder puff was called into requisition, and Zoie
turned a temporarily blanched face to Aggie. "Is that better?"
she asked.
"Very much," answered Aggie, "but how about your hair?"
"What's the matter with it?" asked Zoie. Her reflection betrayed
a coiffure that might have turned Marie Antoinette green with
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