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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde:

him. He is the hero of Dickens's HUNTED DOWN, the Varney of Bulwer's LUCRETIA; and it is gratifying to note that fiction has paid some homage to one who was so powerful with 'pen, pencil and poison.' To be suggestive for fiction is to be of more importance than a fact.

THE CRITIC AS ARTIST - WITH SOME REMARKS UPON THE IMPORTANCE OF DOING NOTHING

A DIALOGUE. Part I. Persons: Gilbert and Ernest. Scene: the library of a house in Piccadilly, overlooking the Green Park.

GILBERT (at the Piano). My dear Ernest, what are you laughing at?

ERNEST (looking up). At a capital story that I have just come

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Daisy Miller by Henry James:

"Oh, no, you don't!" she answered. "Well, then--I am not!"

The young girl and her cicerone were on their way to the gate of the enclosure, so that Winterbourne, who had but lately entered, presently took leave of them. A week afterward he went to dine at a beautiful villa on the Caelian Hill, and, on arriving, dismissed his hired vehicle. The evening was charming, and he promised himself the satisfaction of walking home beneath the Arch of Constantine and past the vaguely lighted monuments of the Forum. There was a waning moon in the sky, and her radiance was not brilliant, but she was veiled in a thin cloud curtain which seemed to diffuse and equalize it. When, on his return from the villa (it was eleven

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Sawyer Abroad by Mark Twain:

begun to carry on again. He said lots of wild things, and, among others, he said he would keep up this hundred-mile gait till the middle of to-morrow after- noon, and then he'd land in London.

We said we would be humbly thankful.

He was turning away, but he whirled around when we said that, and give us a long look of his blackest kind -- one of the maliciousest and suspiciousest looks I ever see. Then he says:

"You want to leave me. Don't try to deny it."

We didn't know what to say, so we held in and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

was twelve years old when Capraja first took an interest in her, and six-and-twenty when he died. She was very fond of him, though he had never even kissed her hand or her brow, and she knew nothing whatever of the poor old nobleman's intentions with regard to her. The girl had at last as complete control of the old gentleman as a mother has of her child; she would tell him when he wanted clean linen; next day he would come without a shirt, and she would give him a clean one to put on in the morning.

He never looked at a woman either in the theatre or out walking. Though he was the descendant of an old patrician family he never thought his rank worth mentioning. But at night, after twelve, he