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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bureaucracy by Honore de Balzac:

"Never blame a woman for scattering her pearls."

The conversation became general. From time to time Madame Rabourdin joined in, just as a well-trained cat puts a velvet paw on her mistress's laces with the claws carefully drawn in. The minister, in matters of the heart, had few emotions. There was not another statesman under the Restoration who had so completely done with gallantry as he; even the opposition papers, the "Miroir," "Pandora," and "Figaro," could not find a single throbbing artery with which to reproach him. Madame Rabourdin knew this, but she knew also that ghosts return to old castles, and she had taken it into her head to make the minister jealous of the happiness which des Lupeaulx was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

now you appear to be very much alarmed."

"He has conquered me!" he repeated. "I am lost!"

"What do you mean?" demanded his wife, angrily. "If you will go and do as I tell you there will be no danger. Come, Mishinka," she added, tenderly; "I shall have the saddle-horse brought for you at once."

When the horse arrived the woman persuaded her husband to mount the animal, and to fulfil her request concerning the serfs. When he reached the village a woman opened the gate for him to enter, and as he did so the inhabitants, seeing the brutal superintendent whom everybody feared, ran to hide themselves in


The Kreutzer Sonata
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Somebody's Little Girl by Martha Young:

The sun shone nearly always, or it seemed to the little girls that it nearly always shone, out in that large garden where they could play the hour in the sand, and where they could spend one hour eating their cakes with their feet on the gravel, and where they could walk behind Sister Justina on all the shell-bordered walks around the beds (but they must not step on the beds)--just one hour. If a rain came it always did surprise them: those little girls were always surprised when it rained! and they did not know exactly what to do when it rained, though they knew almost always what to do when the sun shone. One day when it rained it happened that the little girls were all left over the one hour in the long room where all the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adieu by Honore de Balzac:

thoughts. A poet would have stood there long, plunged in a melancholy reverie, admiring this disorder so full of harmony, this destruction which was not without its grace. Suddenly, the brown tiles shone, the mosses glittered, fantastic shadows danced upon the meadows and beneath the trees; fading colors revived; striking contrasts developed, the foliage of the trees and shrubs defined itself more clearly in the light. Then--the light went out. The landscape seemed to have spoken, and now was silent, returning to its gloom, or rather to the soft sad tones of an autumnal twilight.

"It is the palace of the Sleeping Beauty," said the marquis, beginning to view the house with the eyes of a land owner. "I wonder to whom it