| The first excerpt represents the past or something you must release, and is drawn from Cousin Betty by Honore de Balzac: like us that His voice is most awful."
Valerie wiped away two tears that trickled down her cheeks. Crevel was
in dismay. Madame Marneffe stood up in her excitement.
"Be calm, my darling--you alarm me!"
Madame Marneffe fell on her knees.
"Dear Heaven! I am not bad all through!" she cried, clasping her
hands. "Vouchsafe to rescue Thy wandering lamb, strike her, crush her,
snatch her from foul and adulterous hands, and how gladly she will
nestle on Thy shoulder! How willingly she will return to the fold!"
She got up and looked at Crevel; her colorless eyes frightened him.
"Yes, Crevel, and, do you know? I, too, am frightened sometimes. The
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The House of Dust by Conrad Aiken: Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know--
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
|
The third excerpt represents the future or something you must embrace, and is drawn from Pellucidar by Edgar Rice Burroughs: to maintain their defiance of the Mahars; but these
tribes were still divided among themselves, nor had it
seemed at all probable to Perry when he had last been
among them that any attempt at re-amalgamation
would be made.
"And thus, your majesty," he concluded, "has faded
back into the oblivion of the Stone Age our wondrous
dream and with it has gone the First Empire of Pel-
lucidar."
We both had to smile at the use of my royal title,
yet I was indeed still "Emperor of Pellucidar," and
 Pellucidar |